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  2. Category:Sun in art - Wikipedia

    en.wikipedia.org/wiki/Category:Sun_in_art

    Wall of the Sun and Wall of the Moon; War. The Exile and the Rock Limpet; Washington Crossing the Delaware (1851 paintings) We Are Making a New World; The Weeders (Jules Breton) The Wheat Field; Wheat Fields; World War II Victory Medal

  3. Impression, Sunrise - Wikipedia

    en.wikipedia.org/wiki/Impression,_Sunrise

    Although it may seem that the Sun is the brightest spot on the canvas, it is in fact, when measured with a photometer, the same brightness (or luminance) as the sky. [12] Margaret Livingstone, a professor of neurobiology at Harvard University, said "If you make a black and white copy of Impression: Sunrise, the Sun disappears [almost] entirely ...

  4. Kwakwakaʼwakw art - Wikipedia

    en.wikipedia.org/wiki/Kwakwakaʼwakw_art

    "Sun" masks were usually round, with a hawk-like figure in the middle. Pieces of wood emanating from the edges symbolize the sun's rays. Sun masks are usually painted white, orange and red. Flattened copper is sometimes used on the mask's face. [14] "Moon" masks tend to depict a young male with features of a raven, such as feathers or a beak.

  5. Divisionism - Wikipedia

    en.wikipedia.org/wiki/Divisionism

    As the dominant element of the painting, local color refers to the true color of subjects, e.g. green grass or blue sky. Direct sunlight As appropriate, yellow-orange colors representing the sun's action would be interspersed with the natural colors to emulate the effect of direct sunlight. Shadow

  6. Vädersolstavlan - Wikipedia

    en.wikipedia.org/wiki/Vädersolstavlan

    However, they only form when the Sun is located lower than 32.2° and are at their brightest when the Sun is located at 22°, which is not consistent with other haloes depicted in the painting. Furthermore, one of the most striking features of circumzenithal arcs is their rainbow colours, and the shape in the painting is perfectly devoid of any ...

  7. Light in painting - Wikipedia

    en.wikipedia.org/wiki/Light_in_painting

    Port with the disembarkation of Cleopatra in Tarsus (1642), by Claude Lorrain, Musée du Louvre, Paris. Light in painting fulfills several objectives like, both plastic and aesthetic: on the one hand, it is a fundamental factor in the technical representation of the work, since its presence determines the vision of the projected image, as it affects certain values such as color, texture and ...

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