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The flagging dance is the undulation, spinning and waving of flags in a rhythmic fashion with music. Practitioners of this form of performance art and dance are usually referred to as "Flaggers" and "Flag Dancers." Although spinning Flags resembles the spinning of Poi, it is not a form of Poi. Poi originated with the Māori people of New ...
The Apprentice Program serves to feed dancers into the touring company while also preparing them to dance with other ballet companies, become dance teachers, and to serve in other areas of Christian ministry. Dancers in the Apprentice Program participate in outreach and worship opportunities with the touring company at local churches, nursing ...
Basic color guard moves include Jazz runs (a Jazz dance move used as a graceful way to run across the marching band field or the gym floor), "right shoulder" (positioning the flag with the bottom of the pole by your belly button and your right hand by the flag's silk tape) and "stripping the flag" (holding the flag silk with your fingers so you ...
See You at the Pole (SYATP) is an annual gathering of thousands of Christian students at school flag poles, churches, and the Internet for the purposes of worship and prayer. The event officially began on September 12, 1990 in Burleson, Texas, United States, when a group of teenagers gathered to pray for several schools. [1] [2]
The People's Flag Show was a November 1970 exhibition at Judson Memorial Church in New York City by Faith Ringgold, Jean Toche and Jon Hendricks, known as the Judson Three. The exhibition was raided by the police and the artists arrested on a charge of flag desecration .
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Some liturgical dance was common in ancient times or non-Western settings, with precedents in Judaism beginning with accounts of dancing in the Old Testament.An example is the episode when King David danced before the Ark of the Covenant (), but this instance is often considered to be outside of Jewish norms and Rabbinic rituals prescribed at the time.
Among others, these dancers and choreographers shaped dance history by creating postmodern dance, the first avant-garde movement in dance theater since the modern dance of the 1930s and 1940s. For the past several decades, Movement Research has presented concerts of experimental dance at the church on Monday evenings during the academic year.
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