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"Back Door Man" is a blues song written by American musician Willie Dixon and recorded by Howlin' Wolf in 1960. The lyrics draw on a Southern U.S. cultural term for an extramarital affair. The song is one of several Dixon-Wolf songs that became popular among rock musicians, including the Doors who recorded it for their 1967 self-titled debut album.
At Chess' studio in Chicago in January 1956, Howlin' Wolf recorded "Smokestack Lightning". [1] The song takes the form of "a propulsive, one-chord vamp, nominally in E major but with the flatted blue notes that make it sound like E minor", and lyrically it is "a pastiche of ancient blues lines and train references, timeless and evocative". [1]
Howlin' Wolf is the second album from the Chicago blues ... In 1969 the songs "Shake for Me" and "Back Door Man" were used in the lyrics to the Led Zeppelin song ...
In a retrospective AllMusic review, critic Cub Koda wrote: "This, Wolf's last hurrah, is his final studio album. Cut with his regular working band, the Wolf Gang, everything here works well ... Not the place to start a Wolf collection by any means, but a great place to end up". [1]
The Howlin' Wolf Album is the first studio album by Howlin' Wolf, released in 1969. It features members of Rotary Connection as his backing band. [1] The album mixed blues with psychedelic rock arrangements of several of Wolf's classic songs. Howlin' Wolf strongly disliked the album, which is noted on the album's cover art.
Chester Arthur Burnett (June 10, 1910 – January 10, 1976), better known by his stage name Howlin' Wolf, was an American blues singer, guitarist and harmonica player. He was at the forefront of transforming acoustic Delta blues into electric Chicago blues, and over a four-decade career, recorded blues, rhythm and blues, rock and roll, and psychedelic rock.
Moanin' in the Moonlight is a compilation album and the first album by American blues artist Howlin' Wolf, released by Chess Records in 1959. It contains songs recorded between 1951 and 1959 previously issued as singles, including one of his best-known, "Smokestack Lightning".
"Spoonful" has a one-chord, modal blues structure found in other songs Dixon wrote for Howlin' Wolf, such as "Wang Dang Doodle" and "Back Door Man", and in Wolf's own "Smokestack Lightning". It uses eight-bar vocal sections with twelve-bar choruses and is performed at a medium blues tempo in the key of E. [ 5 ] Music critic Bill Janovitz ...