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The original Graffiti recognition software required only a single stylus stroke for each alphanumeric character. Graffiti 2, however, required two strokes to draw some commonly used characters. This was perceived as extra work because the default settings for "i" and "t", the fifth and second most frequently-used letters in English , required ...
The concept of having unique and expressive handstyles developed slowly. When graffiti first started in the '70s, a tag's style was the writer's personal handwriting. [3] In the New York and Philadelphia in the mid '70s, different writers and crews started stylizing and personalizing their tags. Over time, the concept of a handstyle emerged ...
Wildstyle is a complicated and intricate form of graffiti, the most complex type of graffiti piece. Due to its complexity, wildstyle can be difficult to read for those unfamiliar with the form and process. [1] [2] It is considered the most difficult graffiti style to master. [3] A semi-wildstyle using the word RASE
[3] [6] In theory, it is easier for children to learn and acquire basic handwriting skills using D'Nealian than traditional cursive methods. [3] It has been claimed that close to 90% of US schoolchildren who follow the traditional print-then-cursive route to handwriting are taught either the Zaner-Bloser or the D'Nealian alphabet. [citation needed]
Characters are "creatures or personas” that feature in graffiti works. [2] They may be taken from popular culture (especially cartoons and comic books) or created by the writer as a signature character. [3] Chararacters are found in almost all forms of graffiti, including ancient graffiti and the earliest forms of modern graffiti. [4]
Throw ups are typically the writer's moniker in large "bubble-letters", with or without a fill. Throw ups without fills are called hollows. [3] Throw ups are sometimes done using only the first two or three letters of the moniker in a throw up to quicken the process, especially if the writer uses a longer name.
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The act of writing a tag is known as tagging. Tags are often thought of as the simplest form of graffiti art, prioritising legibility and flow, [1] and are the form that most artists start with. [2] Tags, perhaps due to their simplicity, are more likely to be considered vandalism than other more elaborate graffiti styles. [3]
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