Search results
Results from the WOW.Com Content Network
Palaeobatrachus was the first fossil frog to be described, [1] with the first species being P. diluvianus named by Goldfuss in 1831, originally as Rana diluviana from remains found in uppermost Oligocene strata near Bonn in Germany. It was later recognised as distinct and placed in the new separate genus Palaeobatrachus by Tschudi in 1839. [3]
In 2024, a tadpole specimen of N. degiustoi (MPM-PV 23540) was reported from the La Matilde Formation of Argentina, representing the oldest known tadpole and the first stem-anuran larva in the fossil record. Tadpoles of this species reached lengths of 15.9 centimetres (6.3 in), among the largest recorded in frogs living or extinct.
Beelzebufo (/ b iː ˌ ɛ l z ɪ ˈ b juː f oʊ / or / ˌ b iː l z ə ˈ b juː f oʊ /) is an extinct genus of hyloid frog from the Late Cretaceous Berivotra and Maevarano Formations of Madagascar. [1] The type species is B. ampinga, and common names assigned by the popular media to B. ampinga include devil frog, [2] devil toad, [3] and the ...
Previous fossil amphibians had many more presacral vertebrae than this and T. massinoti provides a missing link between salamanders and frogs. Other characteristics that distinguish it from modern frogs include the possession of a short tail with unfused vertebrae, a separate radius and ulna in the fore limb, and separate tibia and fibula in ...
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
A Brazilian scientist has identified fossils of a small crocodile-like reptile that lived during the Triassic Period several million years before the first dinosaurs. The fossils of the predator ...
The Phrygian mode (pronounced / ˈ f r ɪ dʒ i ə n /) can refer to three different musical modes: the ancient Greek tonos or harmonia, sometimes called Phrygian, formed on a particular set of octave species or scales; the medieval Phrygian mode, and the modern conception of the Phrygian mode as a diatonic scale, based on the latter.
In the Classical period, symphonies in G minor almost always used four horns, two in G and two in B ♭ alto. [2] Another convention of G minor symphonies observed in Mozart's No. 25 and Mozart's No. 40 was the choice of E-flat major , the subdominant of the relative major B ♭ , for the slow movement, with other examples including Joseph ...