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Download as PDF; Printable version; In other projects ... Pages in category "Bulgarian folklore" The following 29 pages are in this category, out of 29 total.
However, the Bulgarian national revival is considered to have opposed Greek domination of Bulgaria's Slavic language and culture. The Miladinov brothers deliberately avoided using the term Macedonia in reference to the region, arguing that it presents a threat to the Bulgarian people there, and proposed the name Western Bulgaria instead.
In Bulgarian folklore, they are associated with places related to water - wells, rivers, lakes. [3] Thus, there are landmarks in Bulgaria that have the word "samodiva" or "samovila" in them. An example of that are the Samodivski Lakes in the Pirin Mountain. Specifically, they live under large old trees, in abandoned sheds or in dark caves that ...
Monument of Hitar Petar in front of the House of Humour and Satire in Gabrovo, Bulgaria which was built in 1981. Hitar Petar or Itar Pejo (Itar Petar) (Bulgarian: Хитър Петър, Macedonian: Итар Пејо or Итар Петар), [1] [2] [3] meaning "Crafty Peter" [4] or "Clever Peter", is a character of Bulgarian and Macedonian ...
Later on it was published in 1890 as a Bulgarian fairy tale translated as "The Golden Apples and the Nine Peahens" by A. H. Wratislaw in his Sixty Folk-Tales from Exclusively Slavonic Sources, as tale number 38. [5] American illustrator and poet Katherine Pyle translated the tale as "The Seven Golden Peahens", while keeping its source as ...
Stories about the kallikantzaros or its equivalents can typically be found in Greece, Bulgaria, Turkey, Serbia, Albania, Bosnia, and Cyprus. Kallikantzaroi are believed to dwell underground but come to the surface during the twelve days of Christmas , from 25 December to 6 January (from the winter solstice for a fortnight , during which time ...
Izlel ye Delyo Haydutin" (Bulgarian: Излел е Дельо хайдутин, lit. 'Delyo has become a hajduk ') is a Bulgarian folk song from the central Rhodope Mountains about Delyo , a rebel leader who was active in the late seventeenth and early eighteenth centuries. [ 1 ]
Polish artist's impression of a wiła. According to Natalie Kononenko, the vilas are female spirits of nature, of an ambivalent relationship with humans. In fairy tales, they may act with malice towards them (killing people, destroying crops), but may also help the hero by giving him magical objects and mounts. [3]