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A-100: 1959–1965 [14] Same tone-wheel generator as the B-3 / C-3 but with power amp and speakers built into the console, along with a separate Reverb amplifier and speaker. [15] C: 1939–1942 [16] Almost same as Model A-B but with church style cabinet. [16] CV: 1945–1949 [17] Based on Model C, Hammond Vibrato was added.
In telecommunication, a standard test tone is a pure tone with a standardized level generally used for level alignment of single links and of links in tandem. [1]For standardized test signal levels and frequencies, see MIL-STD-188-100 for United States Department of Defense (DOD) use, and the Code of Federal Regulations Title 47, part 68 for other Government agencies.
For most audio applications more power is needed at low frequencies. This requires a high-power amplifier for low frequencies (e.g., 200 watts for 20–200 Hz band), lower power amplifier for the midrange (e.g., 50 watts for 200 to 1000 Hz), and even less the high end (e.g. 5 watts for 1000–20000 Hz).
Flextone XL- A 100 watt amplifier with two 12" speakers, and foot controller for added effects. Flextone HD- A 300 watt amplifier head. Connects to separate 1x12", 2x12" or 4x12" speaker cabinets. All amplifier models enabled the user to edit and store various guitar tones. These tones could be called up "on the fly" using either of two ...
Has PCM "Sound Effect" section. When used as a MIDI tone generator, 30 tones are available, as per the CT-460. [190] MT 600 1987 49 mini 40 8 D (x6) MIDI Preset-only home version of Casio's Spectrum Dynamic (SD) synthesizers. [194] [190] MT 640 1988 49 mini 210 10 D (x6) MIDI MIDI in/out only (no thru). [195] MT 750 1989 61 mini 220 12 D (x6) MIDI
The supervisory signals used the same two frequencies, but each supervisory signal started with both tones together (for 150 ms) followed, without a gap, by a long (350 ms) or short (100 ms) period of a single tone of 2400 Hz or 2040 Hz. Phreaks in Europe built System 4 blue boxes that generated these signals.
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