Search results
Results from the WOW.Com Content Network
Seated woman of Çatalhöyük flanked by two lionesses. The Potnia Theron (Ancient Greek: Ἡ Πότνια Θηρῶν, romanized: Hē Pótnia Therón, lit. 'The Lady of Animals', [1] [hɛː pót.ni.a tʰɛː.rɔ̂ːn]) or Mistress of Animals is a widespread [not verified in body] motif in ancient art from the Mediterranean world and the ancient Near East, showing a central human, or human ...
The interest in Greek art lagged behind the revival of classical scholarship during the Renaissance and was revived in the academic circle surrounding Nicolas Poussin in Rome in the 1630s. Though modest collections of vases recovered from ancient tombs in Italy were made in the 15th and 16th centuries these were regarded as Etruscan .
Greek artists created customized goods for the Etruscan market which differed in form and decor from their normal products. The Etruscans also developed their own black-figure ceramic industry oriented on Greek models. Black-figure painting on vases was the first art style to give rise to a significant number of identifiable artists.
The artist who decorated the vase, whose name is not known, was a student of the Nessos Painter, the most ancient representative of the Attic black figure tradition. According to Martine Denoyelles, he also got the Gorgon theme from the Nessos Painter, but "with this entirely narrative frieze, stripped of all decorative elements, the Gorgon ...
The Eleusis Amphora is an ancient Greek neck amphora, now in the Archaeological Museum of Eleusis, that dates back to the Middle Protoattic (c. 650–625 BCE). [1] The painter of the Eleusis Amphora is known as the Polyphemos Painter.
P. Pallas and Arachne; Pallas and the Centaur; Pandora (painting) The Parisian Sphinx; The Parnassus; Persephone (painting) Polyphemus (Sebastiano del Piombo)
Exekias (Ancient Greek: Ἐξηκίας, Exēkías) was an ancient Greek vase painter and potter who was active in Athens between roughly 545 BC and 530 BC. [1] Exekias worked mainly in the black-figure technique, which involved the painting of scenes using a clay slip that fired to black, with details created through incision.
Ancient Greek crafts (or the craftsmanship in Ancient Greece) was an important but largely undervalued, economic activity. It involved all activities of manufacturing transformation of raw materials, agricultural or not, both in the framework of the oikos and in workshops of size that gathered several tens of workers.