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Leviticus 24:2 specifies that pure olive oil must be used to light the menorah. While Exodus 25:37 and Numbers 8:2–3 speak of seven lights being lit, Exodus 27:20–21 and Leviticus 24:2 specifies that a single "light" must be lit "continually", and must burn "from evening to morning".
The work of art itself is in the public domain for the following reason: Public domain Public domain false false This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer .
The Scapegoat (1854–1856) is a painting by William Holman Hunt which depicts the "scapegoat" described in the Book of Leviticus.On the Day of Atonement, a goat would have its horns wrapped with a red cloth – representing the sins of the community – and be driven off.
Created Date: 8/30/2012 4:52:52 PM
The Crucifixion with the Virgin and St John by Hendrick ter Brugghen is an oil painting, now in the Metropolitan Museum of Art in New York City.It was probably painted c. 1625 as an altarpiece for a Catholic schuilkerk, a "hidden church" or "church in the attic", in the Calvinist Dutch United Provinces, probably Utrecht.
Annibale Carracci, The Dead Christ Mourned, c. 1604. 92.8 cm × 103.2 cm (36.5 in × 40.6 in).Oil canvas. National Gallery, London.. The Dead Christ Mourned (also known as Lamentation of Christ, Pietà with the Three Marys, or The Three Marys) is an oil painting on canvas of c. 1604 by Annibale Carracci. [1]
The work is a history painting depicting an episode from Plutarch's Lives in which Greek court physician Erasistratus diagnoses the illness of Antiochus, the son of Seleucus I, as lovesickness for his stepmother Stratonice. The painting was awarded the 1774 Prix de Rome by the Académie royale de peinture et de sculpture.
The painting depicts a nude woman standing upright between an opening in the rocks and holding in her hands a pitcher, from which water flows.She thus represents a water source or spring, for which source is the normal French word, and which, in classical literature, is sacred to the Muses and a source of poetic inspiration. [7]