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This photograph was taken in 1934; the dwelling was subsequently destroyed. Note the split-shingle roof and stick-and-mud chimney. The dogtrot, also known as a breezeway house, dog-run, or possum-trot, is a style of house that was common throughout the Southeastern United States during the 19th and early 20th centuries.
Florida cracker architecture or Southern plantation style is a style of vernacular architecture typified by a low slung, wood-frame house, with a large porch. It was widespread in the 19th and early 20th century. Some elements of the style are still popular as a source of design themes.
Through the publication of his designs, he is credited with the popularization of the front porch. He saw the porch as the link from the house to nature. Building porches had just become easier due to the advance in building methods, and these two factors together resulted in the frequency of front porches being built on residences at that time.
These basic houses featured double-pitched hipped roofs and were surrounded by porches (galleries) to handle the hot summer climate. By 1770, the basic French Colonial house form evolved into the briquette-entre-poteaux (small bricks between posts) style familiar in the historic areas of New Orleans and other areas. These homes featured double ...
The style diffused by the publications of designs in pattern books and adopted the adaptability and eclecticism that Italianate architecture had when interpreted by more middle-class clients. [16] This caused more modest homes to depart from the ornamentation found in French examples in favor of simpler and more eclectic American ornamentation ...
Some of the main features of the Folk Victorian style include porches with spindlework detailing, an l-shape or a gable front plan, and details or inspiration from the Italianate or Queen Anne style. It is often identified by basic or simpler details with asymmetrical floor plans. [1] The typical home is two-stories with a single story porch. [4]
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An illustration of the primitive hut by Charles Dominique Eisen was the frontispiece for the second edition of Laugier's Essay on Architecture (1755). The frontispiece was arguably one of the most famous images in the history of architecture; it helped to make the essay more accessible and consequently it was more widely received by the public.
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