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Sonnet 57 is one of 154 sonnets written by the English playwright and poet William Shakespeare.It is a member of the Fair Youth sequence, in which the poet expresses his love towards a young man.
It tells the story of Shakespeare's life with a mixture of fact and fiction, the latter including an affair with a black prostitute named Fatimah, who inspires the Dark Lady of the Sonnets. The title refers to the first line of Sonnet 130, "My mistress' eyes are nothing like the sun", in which Shakespeare describes his love for a dark-haired woman.
Sonnet 20 is one of the best-known of 154 sonnets written by the English playwright and poet William Shakespeare.Part of the Fair Youth sequence (which comprises sonnets 1-126), the subject of the sonnet is widely interpreted as being male, thereby raising questions about the sexuality of its author.
In 1593 London, William Shakespeare is a sometime player in the Lord Chamberlain's Men and playwright for Philip Henslowe, owner of The Rose Theatre.Suffering from writer's block with a new comedy, Romeo and Ethel, the Pirate's Daughter, Shakespeare attempts to seduce Rosaline, mistress of Richard Burbage, owner of the rival Curtain Theatre, and to convince Burbage to buy the play from Henslowe.
Cupid is the god of love and is in the midst of love just as the young man is in the midst of the love triangle between the poet and the Dark Lady. In sonnet 153, a virgin nymph takes the torch which corresponds to the young man getting engaged to the virgin which "briefly interrupts the cycle of passion and betrayals in the love triangle that ...
Sonnet 115 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a member of the Fair Youth sequence, in which the poet expresses his love towards a young man. [ 2 ] [ 3 ]
1. “You are what you do, not what you say you’ll do.” 2. “Who looks outside, dreams; who looks inside, awakes.” 3. “To ask the right question is already half the solution of a problem.”
Kirkus Reviews said 1599 is "an intriguing addition to Shakespeare studies" that is "sure to be hated by Harold Bloom and others who view any attempt to locate the Bard in history as blasphemy against the religion of Pure Art, but open-minded readers will be stimulated and enriched by Shapiro’s contextual approach".