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Charlotta Malm-Reuterholm (1768–1845), Finnish-Swedish painter, writer; Stefania Malmsten (born 1967), art director, graphic designer and film producer; Charlotte Mannheimer (1866–1934), painter; Randi Marainen (born 1953), Sami silversmith and artist; Britta Marakatt-Labba (born 1951), Swedish Sámi textile artist
YouTuber Jenna Marbles made a video imitating an e-girl's makeup style, calling it a mix between "Harajuku, emo, and igari makeup", [52] the latter of which is a Japanese makeup style imitative of a hangover. [55] Some e-girls draw over their philtrum using lipstick to make their lips look rounder. [56]
The word bishōjo is sometimes confused with the similar-sounding shōjo ("girl") demographic, but bishōjo refers to the gender and traits of the characters it describes, whereas shōjo refers to the gender and age of an audience demographic – manga publications, and sometimes anime, described as "shōjo" are aimed at young female audiences.
H&M (Hennes & Mauritz), possibly the most well-known Scandinavian fashion brand, [8] is a Swedish based clothing line which began in 1947 in Västerås, Sweden, that has expanded worldwide. Starting out with only women's clothing, the company now sells men's, women's, and children's apparel, as well as home design products. [9]
Queen Marie Antoinette, an inspiration of this aesthetic. Coquette aesthetic is a 2020s fashion trend that is characterized by a mix of sweet, romantic, and sometimes playful elements and focuses on femininity through the use of clothes with lace, flounces, pastel colors, and bows, often draws inspiration from historical periods like the Victorian era the 1950s and 1960s, with a modern twist.
Soft girl or softie describes a youth subculture that emerged among Gen Z female teenagers around mid-to late-2019. Soft girl is a fashion style and a lifestyle, popular among some young women on social media, based on a deliberately cutesy, feminine look with a " girly girl " attitude.
Kawaii culture is an off-shoot of Japanese girls’ culture, which flourished with the creation of girl secondary schools after 1899. This postponement of marriage and children allowed for the rise of a girl youth culture in shōjo magazines and shōjo manga directed at girls in the pre-war period. [5]
The bishōjo aesthetic is aimed at a male audience, and is typically centered on young girls, drawn in a cute, pretty style; bishōnen is aimed at a female audience, centered on teenage boys, and drawn elegantly. Another common mistake is assuming that the female characters in bishōnen manga and anime are bishōjo.
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