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Sumerian phalanx-like formation c. 2400 BC, from detail of the victory stele of King Eannatum of Lagash over Umma, called the Stele of the Vultures. The phalanx (pl.: phalanxes or phalanges) [1] was a rectangular mass military formation, usually composed entirely of heavy infantry armed with spears, pikes, sarissas, or similar polearms tightly packed together.
The Macedonian phalanx (Greek: Μακεδονική φάλαγξ) was an infantry formation developed by Philip II from the classical Greek phalanx, of which the main innovation was the use of the sarissa, a 6-metre pike.
In addition to utilising effective diplomacy and marriage alliances to achieve his political aims, Philip II was responsible for reforming the ancient Macedonian army into an effective fighting force. The Macedonian phalanx became the hallmark of the Macedonian army during his reign and the subsequent Hellenistic period.
The rugged terrain of Samnium, where the war was fought, was not conducive to the phalanx formation which the Romans had inherited from the Etruscans and Ancient Greeks. The main battle troops of the Etruscans and Latins of this period comprised Greek-style hoplite phalanxes, inherited from the original Greek phalanx military unit.
'Bronze Shields') is a poetic term used by writers of Koine Greek to refer to a Macedonian phalanx. The most notable group called chalkaspides was the main phalanx force of the Antigonid Macedonian army in the Hellenistic period. The group were hoplites who fought in phalanx formation using long sarissas and bronze shields, either a pelta or an ...
Hoplites mounted on horseback likely used a heavier, curved sword known as the kopis, meaning "chopper" in the Greek language. [2] [9] Light infantry known as peltasts would carry a number of javelins used to pepper enemy formations, avoiding close combat whenever possible. The job of the peltast was not to engage in formation combat, therefore ...
At certain points, a command would be given to the phalanx or a part thereof to collectively take a certain number of steps forward (ranging from half to multiple steps). This was the famed othismos. [10] Phalanx fighting on a black-figure amphora, c. 560 BC. The hoplite phalanx is a frequent subject in ancient Greek art
The destructive effect of the phalanx was due to the cohesion of the hoplites during the impact, a cavalry attack from the flanks or from the rearguard was likely to disorganize the formation and make it vulnerable during the impact against another phalanx. It was the combination of phalanx and cavalry in the tactics of the hammer and the anvil ...