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Some birds will respond to a shared song type with a song-type match (i.e. with the same song type). [24] This may be an aggressive signal; however, results are mixed. [23] Birds may also interact using repertoire-matches, wherein a bird responds with a song type that is in its rival's repertoire but is not the song that it is currently singing ...
Amphibian vocalization; Bird vocalization, bird calls and bird songs; Dolphin vocalizations; Female copulatory vocalizations, produced by females while mating; Voice (phonetics), the vibration of the vocal cords that accompanies some speech sounds Consonant voicing and devoicing, the addition or removal of this vibration from consonant sounds
In music, a loop is a repeating section of sound material. Short sections can be repeated to create ostinato patterns. Longer sections can also be repeated: for example, a player might loop what they play on an entire verse of a song in order to then play along with it, accompanying themselves.
Vocal learning is the ability to modify acoustic and syntactic sounds, acquire new sounds via imitation, and produce vocalizations. "Vocalizations" in this case refers only to sounds generated by the vocal organ (mammalian larynx or avian syrinx) as opposed to by the lips, teeth, and tongue, which require substantially less motor control. [1]
Bird Song (Mannheim Steamroller album), 2001; Bird Song (Hampton Hawes album), recorded 1956–58, released 1999; Bird Songs (Joe Lovano album), 2011; Bird Songs (Sphere album), 1988; Bird Songs: The Final Recordings, by Dizzy Gillespie, 1997; Bird Song: Live 1971, by The Holy Modal Rounders, 2004
"The Bottom Line" is a song by English alternative dance band Big Audio Dynamite, released as both a 7" and 12" single from their debut studio album, This Is Big Audio Dynamite (1985). It was written, and produced by Mick Jones , his debut single with a band singing lead vocals since being fired from the Clash in 1983.
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Loop are an English rock band, formed in 1986 by Robert Hampson in Croydon. [1] The group topped the UK independent charts with their albums Fade Out (1989) and A Gilded Eternity (1990). Their dissonant "trance-rock" sound drew on the work of artists like the Stooges and Can , [ 2 ] and helped to resurrect the concept of space rock in the late ...