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Bill Frisell recorded the song for his 2019 album Harmony. The song is performed by Petra Haden. Arlo Guthrie, Vanessa Bryan and Jim Wilson release a track of the song on July 31, 2020 (C) 2020 Rising Son Records & Jim Wilson [14] The Longest Johns released a recording of the song in 2021 as the first single of their 2022 album Smoke & Oakum.
"Hey Little Cobra" is a song released in 1963 by The Rip Chords about the Shelby Cobra. The song was produced by Terry Melcher and Bruce Johnston, who also sang vocals. [2] The song spent 14 weeks on the Billboard Hot 100 chart, peaking at No. 4, [3] while reaching No. 5 on Canada's CHUM Hit Parade [4] and No. 3 on New Zealand's "Lever Hit ...
The song was written by Jon Anderson, Chris Squire, Bill Bruford, and Steve Howe, all of whom were members of Yes at the time.Bruford said his writing contribution to the song consisted of "a handful of chords and a sliver of melody at 3.45 repeated at 5.06 and again at 8.11".
"Sh-Boom" ("Life Could Be a Dream") is a doo-wop song by the R&B vocal group the Chords. It was written by James Keyes, Claude Feaster, Carl Feaster, Floyd F. McRae, and William Edwards, members of the Chords, and was released in 1954.
The three unreleased songs were "Wiameah Bay", an instrumental by the Wrecking Crew, and two Rip Chords hot-rod songs ("Sting Ray" and "XKE") which had been in Columbia's vault since 1965. The fourth song was "Red Hot Roadster", originally scheduled for release as a single but instead appearing on the soundtrack of 1965's A Swingin' Summer. [41]
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
"Don't Get Around Much Anymore" is a jazz standard written by composer Duke Ellington. [1] The song was originally entitled "Never No Lament" and was first recorded by Duke Ellington and his orchestra on May 4, 1940. [2] "
The length of the song's title was a reaction by the band to the fact that most of its songs featured one-word titles. [2] The song is often referred to simply as "Elderly Woman" or "Small Town" by the band and its fans. Despite the lack of a commercial single release, the song reached number 17 on the Billboard Modern Rock Tracks chart.
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