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  2. Light and Colour (Goethe's Theory) – The Morning after the ...

    en.wikipedia.org/wiki/Light_and_Colour_(Goethe's...

    The yellow colouring of the painting is a reference to Goethe's Theory of Colours, which explains the colour yellow as being the first colour transmitted from light. [7] The form of the painting is circular, symbolising the construction of the human eye, changing the focus of a typical linear splitting of space to a more subjective portrayal.

  3. Hylas and the Nymphs (painting) - Wikipedia

    en.wikipedia.org/.../Hylas_and_the_Nymphs_(painting)

    Hylas and the Nymphs is an 1896 oil painting by John William Waterhouse.The painting depicts a moment from the Greek and Roman legend of the tragic youth Hylas, based on accounts by Ovid and other ancient writers, in which the enraptured Hylas is abducted by Naiads (female water nymphs) while seeking drinking water.

  4. De pictura - Wikipedia

    en.wikipedia.org/wiki/De_Pictura

    The treatise contained an analysis of all the techniques and painting theories known at the time, in this surpassing medieval works such as The book of Art by Cennino Cennini (1390). De pictura also includes the first description of linear geometric perspective around 1416; Alberti credited the discovery to Brunelleschi , and dedicated the 1435 ...

  5. Fishermen at Sea - Wikipedia

    en.wikipedia.org/wiki/Fishermen_at_Sea

    Fishermen at Sea, 1796, the first oil painting by J. M. W. Turner to be exhibited at the Royal Academy, in 1796. Fishermen at Sea, sometimes known as the Cholmeley Sea Piece, is an early oil painting by English artist J. M. W. Turner. It was exhibited at the Royal Academy in 1796 and has been owned by the Tate Gallery since 1972. It was the ...

  6. Light in painting - Wikipedia

    en.wikipedia.org/wiki/Light_in_painting

    Port with the disembarkation of Cleopatra in Tarsus (1642), by Claude Lorrain, Musée du Louvre, Paris. Light in painting fulfills several objectives like, both plastic and aesthetic: on the one hand, it is a fundamental factor in the technical representation of the work, since its presence determines the vision of the projected image, as it affects certain values such as color, texture and ...

  7. Themes in Italian Renaissance painting - Wikipedia

    en.wikipedia.org/wiki/Themes_in_Italian...

    However, the painting relies strongly on the tonal contrasts of the pale face, mid-tone background and dark garment with patterned bodice for effect. Filippino Lippi uses chiaroscuro to model the face of the sitter and define the details of his simple garment. The light and shadow on the edge of the window define the angle of the light.

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    You can find instant answers on our AOL Mail help page. Should you need additional assistance we have experts available around the clock at 800-730-2563. Should you need additional assistance we have experts available around the clock at 800-730-2563.

  9. Luminism (American art style) - Wikipedia

    en.wikipedia.org/wiki/Luminism_(American_art_style)

    The light is generally cool, hard, and non-diffuse; "soft, atmospheric, painterly light is not luminist light". Brushstrokes are concealed to minimize recognition that the painting is an artefact. Luminist paintings tend not to be large to suggest a sense of timeless intimacy. The picture surface or plane is emphasized, recalling primitivism ...