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Woman Ironing (French: La repasseuse) [1] is a 1904 oil painting by Pablo Picasso that was completed during the artist's Blue Period (1901—1904). This evocative image, painted in neutral tones of blue and gray, depicts an emaciated woman with hollowed eyes, sunken cheeks, and bent form, as she presses down on an iron with all her will.
This is a list by date of birth of historically recognized American fine artists known for the creation of artworks that are primarily visual in nature, including traditional media such as painting, sculpture, photography, and printmaking, as well as more recent genres, including installation art, performance art, body art, conceptual art, digital art and video art.
This is a list of women artists who were born in America or whose artworks are closely associated with that country. Included are recognized American women artists, known for creating artworks that are primarily visual in nature, in traditional media such as painting, sculpture, photography, printmaking, ceramics as well as in more recently developed genres, such as installation art ...
The conjunction of various media is an integral element of his art. His paintings are typically covered with codes of all kinds: words, letters, numerals, pictograms, logos, map symbols, and diagrams. [129] Basquiat primarily used texts as reference sources. [130]
This is a list of artists who create contemporary art, i.e., those whose peak of activity can be situated somewhere between the 1970s (the advent of postmodernism) and the present day. Artists on this list meet the following criteria: The person is regarded as an important figure or is widely cited by his/her peers or successors.
Weir Farm National Historical Park is located in Ridgefield and Wilton, Connecticut.It commemorates the life and work of American impressionist painter J. Alden Weir and other artists who stayed at the site or lived there, to include Childe Hassam, Albert Pinkham Ryder, John Singer Sargent, and John Twachtman.
Image of the painting in the 1946 version of Otto Kallir's Grandma Moses American Primitive catalog Image of the painting in the 1975 abridged version of Otto Kallir's 1973 catalogue raisonné Otto Kallir , Grandma Moses , Complete edition, New York, Harry N. Abrams, 1973, cat. nr. 498 p. 296, plate 85, Grandma Moses record book nr. 1024 .