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The Doubble Donkey Disc is the second studio album by American rock band Ozma. [1] Originally self-released in 2001, it was rereleased by Kung Fu Records in 2002. The album is composed of two EP concepts; the Russian Coldfusion EP (tracks 1-5) and the Bootytraps EP (tracks 6-10).
Bradley Torreano, writing for Allmusic, stated that with this album, Ozma has "arguably written the best Weezer album of 2001 (and yes, the real thing also had an album come out the same year)." [ 5 ] The "11 slabs of infectiously singable power pop on this little-album-that-could" compelled Weezer frontman Rivers Cuomo to insist that Ozma open ...
A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
Ozma is an American rock band from Pasadena, California. [2] The band's sound is a mix of nostalgic new wave –influenced power pop and contrapuntal Casiotone -driven melodies sustained by heavy guitar riffs.
Print/export Download as PDF; Printable version; In other projects Wikidata item; Appearance. ... I–V–vi–IV chord progression in C: 4: Major
Hymn-style arrangement of "Adeste Fideles" in standard two-staff format (bass staff and treble staff) for mixed voices Tibetan musical score from the 19th century. Sheet music is a handwritten or printed form of musical notation that uses musical symbols to indicate the pitches, rhythms, or chords of a song or instrumental musical piece.
Boomtown was Ozma's first effort in seven years following 2007's Pasadena. [1] It opens with "Around The World In 80 Seconds," Ozma's first instrumental [2] since The Doubble Donkey Disc's "Korobeiniki." "Nervous" is notable as the first Ozma song written by drummer Kenn Shane, and the first lead vocal by keyboardist Star Wick.
Popularized by the jazz pianist George Shearing, it is a way to implement the "block chord" method of harmony on a keyboard instrument. The locked hands technique requires the pianist to play the melody using both hands in unison. The right hand plays a 4-note chord inversion in which the melody note is the highest note in the voicing.
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