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A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
The Doubble Donkey Disc is the second studio album by American rock band Ozma. [1] Originally self-released in 2001, it was rereleased by Kung Fu Records in 2002. The album is composed of two EP concepts; the Russian Coldfusion EP (tracks 1-5) and the Bootytraps EP (tracks 6-10).
Ozma is an American rock band from Pasadena, California. [2] The band's sound is a mix of nostalgic new wave –influenced power pop and contrapuntal Casiotone -driven melodies sustained by heavy guitar riffs.
Ozma is the second studio album by the Melvins, released in 1989 through Boner Records. It is the first Melvins album to feature Lori Black on bass guitar and was recorded when the band relocated to San Francisco .
Bradley Torreano, writing for Allmusic, stated that with this album, Ozma has "arguably written the best Weezer album of 2001 (and yes, the real thing also had an album come out the same year)." [ 5 ] The "11 slabs of infectiously singable power pop on this little-album-that-could" compelled Weezer frontman Rivers Cuomo to insist that Ozma open ...
Tone clusters...on the piano [are] whole scales of tones used as chords, or at least three contiguous tones along a scale being used as a chord. And, at times, if these chords exceed the number of tones that you have fingers on your hand, it may be necessary to play these either with the flat of the hand or sometimes with the full forearm.
Boomtown was Ozma's first effort in seven years following 2007's Pasadena. [1] It opens with "Around The World In 80 Seconds," Ozma's first instrumental [2] since The Doubble Donkey Disc's "Korobeiniki." "Nervous" is notable as the first Ozma song written by drummer Kenn Shane, and the first lead vocal by keyboardist Star Wick.
PopMatters wrote that the album is "more like Weezer's green self-titled album than anything, eager to live up to an ideal and doing a good job of it." [2] The Los Angeles Times called the band "underrated," writing that the album is "more muscular and mature than the crunchy power-pop that gained Ozma a large Southland following over its first three albums."
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