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Pratyahara [1] [2] (Sanskrit: प्रत्याहार, romanized: Pratyāhāra) or the 'gathering towards' is the fifth element among the Eight stages of Patanjali's Ashtanga Yoga, [3] as mentioned in his classical work, Yoga Sutras of Patanjali composed in the 2nd century BCE. [4]
Pratyahara marks the transition of yoga experience from the first four limbs of Patanjali's Ashtanga scheme that perfect external forms, to the last three limbs that perfect the yogin's inner state: moving from outside to inside, from the outer sphere of the body to the inner sphere of the spirit. [45]
Drishti (Sanskrit: दृष्टि, romanized: dṛṣṭi, pronounced [d̪r̩ʂʈɪ], "focused gaze") is a means for developing concentrated intention.It relates to the fifth limb of yoga, pratyahara, concerning sense withdrawal, [1] as well as the sixth limb, dharana, relating to concentration.
Statue of Patañjali, its traditional snake form indicating kundalini or an incarnation of Shesha. The Yoga Sutras of Patañjali (IAST: Patañjali yoga-sūtras) is a compilation "from a variety of sources" [1] of Sanskrit sutras on the practice of yoga – 195 sutras (according to Vyāsa and Krishnamacharya) and 196 sutras (according to others, including BKS Iyengar).
Ananda Yoga, or Ananda Yoga for Higher Awareness [1] is a system of Hatha Yoga established by Kriyananda, ... Shavasana helps to turn your senses inward (pratyahara).
The Yoga Yajnavalkya contains one of the most comprehensive discussion of yoga components such as the Pranayama, Pratyahara, Dhyana, and Dharana. The text was influential in the development and practice of the yoga traditions of India before the 12th century.
At the stage of pratyahara, the consciousness of the individual is internalized in order that the sensations from the senses of taste, touch, sight, hearing and smell don't reach their respective centers in the brain and takes the sadhaka (practitioner) to next stages of Yoga, namely Dharana (concentration), Dhyana (meditation), and Samadhi ...
The text teaches a method of pratyahara, withdrawal using the breath, which is raised through 18 stages called marmans, vital points. [ 7 ] The Vimanarcanakalpa describes other topics, such as the practice of burying sacred bronze objects to protect them in times of trouble.
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