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The premise of a text such as a book, film, or screenplay is the initial state of affairs that drives the plot. Most premises can be expressed very simply, and many films can be identified simply from a short sentence describing the premise.
A premise or premiss [a] is a proposition—a true or false declarative statement—used in an argument to prove the truth of another proposition called the conclusion. [1] Arguments consist of a set of premises and a conclusion. An argument is meaningful for its conclusion only when all of its premises are true. If one or more premises are ...
Premise is a claim that is a reason for, or an objection against, some other claim as part of an argument. Premise (from the Latin praemissa [propositio], meaning "placed in front") may also refer to: Premises, land and buildings together considered as a property; Premise (narrative), the situational logic driving the plot in plays
Each of these examples has been identified by a critic as an antihero, although the classification remains fairly subjective. Some of the entries may be disputed by other sources and some may contradict all established definitions of antihero.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
The third kind of enthymeme consists of a syllogism with a missing premise that is supplied by the audience as an unstated assumption. In the words of rhetorician William Benoit, the missing premise is: "assumed by rhetor when inventing and by audience when understanding the argument." [8] Some examples of this kind of enthymeme are as follows:
A polysyllogism is a complex argument (also known as chain arguments of which there are four kinds: polysyllogisms, sorites, epicheirema, and dilemmas) [1] that strings together any number of propositions forming together a sequence of syllogisms such that the conclusion of each syllogism, together with the next proposition, is a premise for the next, and so on.
However, the logical validity of an argument is a function of its internal consistency, not the truth value of its premises. For example, consider this syllogism, which involves a false premise: If the streets are wet, it has rained recently. (premise) The streets are wet. (premise) Therefore it has rained recently. (conclusion)