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The premise of a text such as a book, film, or screenplay is the initial state of affairs that drives the plot. Most premises can be expressed very simply, and many films can be identified simply from a short sentence describing the premise.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
A premise or premiss [a] is a proposition—a true or false declarative statement—used in an argument to prove the truth of another proposition called the conclusion. [1] Arguments consist of a set of premises and a conclusion. An argument is meaningful for its conclusion only when all of its premises are true. If one or more premises are ...
Metonymy – a figure of speech that substitutes one word or phrase for another with which it is closely associated. For example, in UK, people speak of "Crown property" meaning property belonging to the State. Similarly: "The White House had no comment to make." Minor premise – statement in an argument.
Premise is a claim that is a reason for, or an objection against, some other claim as part of an argument. Premise (from the Latin praemissa [propositio], meaning "placed in front") may also refer to: Premises, land and buildings together considered as a property; Premise (narrative), the situational logic driving the plot in plays
The third kind of enthymeme consists of a syllogism with a missing premise that is supplied by the audience as an unstated assumption. In the words of rhetorician William Benoit, the missing premise is: "assumed by rhetor when inventing and by audience when understanding the argument." [8] Some examples of this kind of enthymeme are as follows:
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
A polysyllogism is a complex argument (also known as chain arguments of which there are four kinds: polysyllogisms, sorites, epicheirema, and dilemmas) [1] that strings together any number of propositions forming together a sequence of syllogisms such that the conclusion of each syllogism, together with the next proposition, is a premise for the next, and so on.