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The resonator mandolin was developed by John Dopyera, who sought to produce a guitar that would have sufficient volume to be heard alongside brass and reed instruments.In 1927, Dopyera and George D. Beauchamp formed the National String Instrument Corporation to manufacture resonator guitars under the brand name National, adding tenor guitars, resonator mandolins and resonator ukuleles to their ...
Mandolin awareness in the United States blossomed in the 1880s, as the instrument became part of a fad that continued into the mid-1920s. [14] [15] According to Clarence L. Partee a publisher in the BMG movement (banjo, mandolin and guitar), the first mandolin made in the United States was made in 1883 or 1884 by Joseph Bohmann, who was an established maker of violins in Chicago. [16]
F-holes in instruments from the violin family, archtop mandolins and in archtop guitars; C-holes in viola da gambas and occasionally double-basses and guitars; Rosettes in lutes and sometimes harpsichords; D-holes in bowed lyras. Some instruments come in more than one style (mandolins may have F-holes, round or oval holes). A round or oval hole ...
Regal made a line of mandolins for Perlberg & Halpin of New York to brand Blue Comet. In the early 1930s, Regal had licensed the use of Dobro resonators. When National moved from California to Chicago, Regal acquired the rights to manufacture Dobro instruments. That made Regal become another producer of "house brand" guitars before World War II.
Gibson mandolins evolved into two basic styles: the Florentine or F-style, which has a decorative scroll near the neck, two points on the lower body and usually a scroll carved into the headstock; and the A-style, which is pear-shaped, has no points and usually has a simpler headstock.
After three straight years of sales growth, Home Depot went into reverse in the first quarter, and sales and profit are expected to tumble again in the second quarter when the company announces ...
The Kay Musical Instrument Company grew from the Andrew Groehsl Company (or Groehsl Mandolin Company [14]) in Chicago, established in 1890. [15] In 1921, Groehsl's company was purchased by Henry "Kay" Kuhrmeyer, Frank Voisinet, and Charles Stromberg and renamed to Stromberg-Voisinet.
The so-called a-style mandolin has a teardrop-shaped body; the f-style mandolin is more stylized, with a spiraled wooden cone on the upper side and a couple of points on the lower side. There are also two types of sound holes, the classic round or oval hole, and the more modern pair of f-holes similar to those found on a violin.
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