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Izidwaba (plural) are protective ancestral garments perceived as concrete symbols of control over women's fertility. A woman is considered figuratively naked, unless she wears her isidwaba. [2] As a result, the women have no choice but to wear their skirts that are also described as 'ancestral blankets' that enfold and protect the wearer.
Mamianqun (simplified Chinese: 马面裙; traditional Chinese: 馬面裙; pinyin: mǎmiànqún; lit. 'horse face skirt'), is a type of traditional Chinese skirt. It is also known as mamianzhequn (simplified Chinese: 马面褶裙; traditional Chinese: 馬面褶裙; lit. 'horse-face pleated skirt'), but is sometimes simply referred as 'apron' (Chinese: 围裙; pinyin: wéiqún; lit. 'apron'), a ...
The puletasi is a two-piece outfit with a skirt and a top, either with both pieces in the same fabric or as a plain skirt and patterned top. [2] The skirt is usually a wrap skirt or 'ie lavalava, with ties around the waist. [3] For formal occasions or performance, decorations of tapa cloth, woven flax or other material may be layered around the ...
The malong is a traditional Filipino-Bangsamoro rectangular or tube-like wraparound skirt bearing a variety of geometric or okir designs. The malong is traditionally used as a garment by both men and women of the numerous ethnic groups in the mainland Mindanao and parts of the Sulu Archipelago. They are wrapped around at waist or chest-height ...
Mekhela Sador is a traditional attire worn by women from Assam. [ 1 ] [ 2 ] Mekhela Sador is two-piece attire, the Mekhela (a cylindrical skirt) and the Sador (a drape), and is generally made from silk ( Assam silk ) such as Muga silk, Eri or Pat silk.
A modification of the usual split-toe tabi sock design for use as a shoe, complete with rubber sole. Invented in the early 20th century. Jinbei Traditional loose-woven two-piece clothing, consisting of a robe-like top and shorts below the waist; the seams connecting the sleeves to the body are traditionally loosely-sewn, showing a slight gap.
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The adoption of the dirndl as a fashion resulted in a synthesis of tradition and high fashion: the dirndls worn by upper-class women took the basic design of the traditional dirndl but also used more fashionable materials such as silk, lace and expensive thread. The garment was made more closely fitted to emphasize the female body shape. [12]
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