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A talkback microphone in a recording studio. In sound recording, a talkback system is the intercom used in recording studios and production control rooms (PCRs) in television studios to enable personnel to communicate with people in the recording area or booth.
In close miking, a microphone is placed relatively close to an instrument or sound source, within three to twelve inches, producing a dry or non-reverberant sound. [1] This serves to reduce extraneous noise, including room reverberation and is commonly used when attempting to record a number of separate instruments while keeping the signals ...
ORTF setup. The ORTF stereo technique, also known as side-other-side, is a microphone technique used to record stereo sound.It was devised around 1960 at the now-defunct Office de Radiodiffusion Télévision Française (ORTF).
A diagram of the NOS stereo technique. The Nederlandse Omroep Stitchting (NOS) stereo technique is a method of capturing stereo sound.. The Nederlandse Omroep Stichting (English: Dutch Broadcast Foundation) found a stereo main microphone system by a number of practical attempts in the 1960s.
Before Windows 7, Sound Recorder could save the recorded audio in waveform audio (.wav) container files.Sound Recorder could also open and play existing .wav files. To successfully open compressed .wav files in Sound Recorder, the audio codec used by the file must be installed in the Audio Compression Manager (ACM); Windows installations dating back to at least Windows 95 came with a selection ...
Neumann KU 100 microphone used to record binaural sound. Binaural recording is a method of recording sound that uses two microphones, arranged with the intent to create a 3D stereo sound sensation for the listener of actually being in the room with the performers or instruments.
The Decca Tree setup evolved from the idea of a minimal recording technique using a pair of microphones. The first system was developed by Roy Wallace. The microphone triangle was placed about 3 to 3.6 m high above the stage level, near the conductor. The microphone system is not properly in front of the orchestra, but more "into" the orchestra.
It is still sought after today for use in recording brass instruments. Audio engineers experienced with the 77-DX can position the microphone at different angles to modify its frequency response. For example, with the microphone suspended, tilting it on the horizontal axis will cause the ribbon to sag slightly, resulting in a noticeable boost ...