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The Bacchae (/ ˈ b æ k iː /; Ancient Greek: Βάκχαι, Bakkhai; also known as The Bacchantes / ˈ b æ k ə n t s, b ə ˈ k æ n t s,-ˈ k ɑː n t s /) is an ancient Greek tragedy, written by the Athenian playwright Euripides during his final years in Macedonia, at the court of Archelaus I of Macedon.
Scene 5: Thrace—Procne, Itys and Tereus are together in the palace. Itys plays at being a soldier. Procne has become used to Thracian ways and announces that she will join the rituals of Bacchus. Tereus rejects her advances. Scene 6: The Bacchae fill the stage. The Thracian women perform their Bacchic rituals with Procne.
Sonnet 6 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a procreation sonnet within the Fair Youth sequence. The sonnet continues Sonnet 5, thus forming a diptych. It also contains the same distillatory trope featured in Sonnet 54, Sonnet 74 and Sonnet 119. [2]
The Bacchae (Royal Swedish Opera/SVT/CD; 1991) Miss Julie (BAM; 1991) The Time and the Room (Royal Dramatic Theatre; 1993) The Last Gasp (SFI/Royal Dramatic Theatre; 1993) The Winter's Tale (Royal Dramatic Theatre; 1994) Goldberg Variations (Royal Dramatic Theatre; 1994) Yvonne, Princess of Burgundy (Royal Dramatic Theatre; 1995)
First page of The third Part of Henry the Sixt, with the death of the Duke of Yorke from the First Folio (1623). Henry VI, Part 3 (often written as 3 Henry VI) is a history play by William Shakespeare believed to have been written in 1591 and set during the lifetime of King Henry VI of England.
Henry VI is a series of three history plays by William Shakespeare, set during the lifetime of King Henry VI of England. Henry VI, Part 1 deals with the loss of England's French territories and the political machinations leading up to the Wars of the Roses, as the English political system is torn apart by personal squabbles and petty jealousy; Henry VI, Part 2 depicts the King's inability to ...
Idyll XXVI, also titled Λῆναι ('The Bacchanals') or Βάκχαι ('The Bacchantes'), is a bucolic poem doubtfully attributed to the 3rd-century BC Greek poet Theocritus. [1]
The Bacchae opened the City Dionysia Festival in Athens in 405 BC and won first prize. The action follows the god Dionysus on his return to the city of Thebes to avenge his mother's reputation and the god's own rejection as the bastard child of Zeus. The title refers to the groups of devoted female followers of the god, who serve as the chorus ...