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The "Song of Okinawa Prefecture" (Japanese: 沖縄県民の歌, Hepburn: Okinawa kenmin no uta) was adopted on May 15, 1972, upon the United States' return of Okinawa Prefecture to Japan. Its lyrics were written by local teacher Seiko Miyazato [ ja ] , with music composed by University of the Ryukyus professor Shigeru Shiroma [ ja ] .
Okinawan music (沖縄音楽, Okinawa ongaku) is the music associated with the Okinawa Islands of southwestern Japan. In modern Japan, it may also refer to the musical traditions of Okinawa Prefecture , which covers the Miyako and Yaeyama Islands in addition to the Okinawa Islands.
"Island Song") is a 1992 song by the Japanese band The Boom. It was written by the lead singer, Kazufumi Miyazawa , based on his impressions from visiting Okinawa for a photo shoot. It is the band's best selling song, well known throughout Japan and Argentina , and one of the most widely known songs associated with Okinawa although the band ...
Prefecture official song: "Okayama-ken no uta" (岡山県の歌, lit. The song of Okayama Prefecture) 1957: Prefectural people's favorite song: "Minna no kokoro ni" (みんなのこころに, lit. In the minds of everyone) 1982: Lyric and audio Okinawa "Okinawa kenmin no uta" (沖縄県民の歌, lit. Okinawa Prefecture people's song) 1972 ...
Ryukyuan music (琉球音楽, Ryūkyū ongaku), also called Nanto music (南島歌謡, Nantō kayō), is an umbrella term that encompasses diverse musical traditions of the Amami, Okinawa, Miyako and Yaeyama Islands of southwestern Japan. The term of "Southern Islands" (南島, Nantō) is preferred by scholars in this field.
The song's full version is 10 minutes. When this song was first released, it was thought to be too long to air on the radio, but now the song is popular in Japan. Every summer, NHK air a shorter version as a symbol of the 'No War Campaign'. In the song, an imitative word 'Zawawa' is repeated 66 times, because of this, it is often called 'Zawawa'.
Moriyama and Begin met after performing at live events together in the late 1990s. Moriyama asked Begin to write her an Okinawan-style song. The song's title on the demo tape she received was "Nada Sōsō," an Okinawan language phrase meaning "large tears are falling" (to compare, the Japanese phrase would be namida ga poroporo kobore ochiru (涙がぽろぽろこぼれ落ちる)).
The songs on the album relate to Okinawa in some way, either being written by Okinawan musicians, describe Okinawa or are written in the style of Okinawan songs. "Asadoya Yunta" and "Akata Sundunchi" are traditional folk songs, while "Famureuta," "Nada Sōsō" and "Tsuki no Yoru" were written by famous Okinawan bands (Parsha Club, Begin and Kiroro respectively).