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The "Song of Okinawa Prefecture" (Japanese: 沖縄県民の歌, Hepburn: Okinawa kenmin no uta) was adopted on May 15, 1972, upon the United States' return of Okinawa Prefecture to Japan. Its lyrics were written by local teacher Seiko Miyazato [ ja ] , with music composed by University of the Ryukyus professor Shigeru Shiroma [ ja ] .
Okinawan music (沖縄音楽, Okinawa ongaku) is the music associated with the Okinawa Islands of southwestern Japan. In modern Japan, it may also refer to the musical traditions of Okinawa Prefecture , which covers the Miyako and Yaeyama Islands in addition to the Okinawa Islands.
Prefecture official song: "Okayama-ken no uta" (岡山県の歌, lit. The song of Okayama Prefecture) 1957: Prefectural people's favorite song: "Minna no kokoro ni" (みんなのこころに, lit. In the minds of everyone) 1982: Lyric and audio Okinawa "Okinawa kenmin no uta" (沖縄県民の歌, lit. Okinawa Prefecture people's song) 1972 ...
The songs on the album relate to Okinawa in some way, either being written by Okinawan musicians, describe Okinawa or are written in the style of Okinawan songs. "Asadoya Yunta" and "Akata Sundunchi" are traditional folk songs, while "Famureuta," "Nada Sōsō" and "Tsuki no Yoru" were written by famous Okinawan bands (Parsha Club, Begin and Kiroro respectively).
The Okinawa Prefectural government designated "Tinsagu nu Hana" as "Okinawa Prefecture's favorite song" on March 18, 2012, following a public survey. [8] It was subsequently made an official symbol of Okinawa Prefecture, making it the prefecture's second musical symbol alongside the " Song of Okinawa Prefecture ".
Okinawa's folk songs were simply called uta in local communities and were described as min'yō in academic writing. [7] Musicologist Takahashi Miki identified two persons who had popularized the term shima-uta in Okinawa Prefecture. One is Nakasone Kōichi, who is known for his research on folk songs of the Amami, Okinawa, Miyako and Yaeyama ...
Ryukyuan music (琉球音楽, Ryūkyū ongaku), also called Nanto music (南島歌謡, Nantō kayō), is an umbrella term that encompasses diverse musical traditions of the Amami, Okinawa, Miyako and Yaeyama Islands of southwestern Japan. The term of "Southern Islands" (南島, Nantō) is preferred by scholars in this field.
No. Title Writer(s) Length; 1. "Shimanchu nu Takara" (島人ぬ宝)Begin: 5:20: 2. "Nami" (波, "Wave")Donto: 5:04: 3. "Soredemo Kurashi wa Tsuzuku kara, Subete o, Ima, Wasureteshimau Tame ni wa, Subete o, Ima, Shitteiru Koto ga Jōken de, Boku ni wa Totemo Muri dakara, Hitotsuzutsu Wasureteiku Tame ni, Aisuru Hitotachi to Te o Tori, Wakeatte, Semete Omoidasanai Yō ni, Kurashi o Tsuzuketeiku ...