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Aespa's version of the song, a "mid-tempo ballad characterized by acoustic guitar sound" with "warm lyrics about promising forever to a loved one", [19] was released on February 5. [ 20 ] On May 4, SM Entertainment announced Aespa would release a new single titled " Next Level ", a dance and hip-hop track with a "groovy" rap, "energetic" bass ...
The lead single "Savage" also became Aespa's second top-five hit in South Korea and their first top 40 entry on the Billboard Global 200. In July 2022, they released their second EP Girls , which sold 1,844,376 copies and debuted at number three on the Billboard 200 chart.
On February 19, 2024, Aespa officially announced their second world tour, Synk: Parallel Line, via X and Weverse, with the first stop scheduled in Seoul on June 29 and 30, 2024. [2] During their first stop in Seoul, the members unveiled solo performances featuring new, unreleased tracks. Each member participated in writing their solo songs.
Synk: Parallel Line is the ongoing second worldwide concert tour by South Korean girl group Aespa, in support of their first studio album Armageddon (2024). The tour began on June 29, 2024, at Jamsil Indoor Stadium, and will conclude on March 16, 2025, at KSPO Dome in Seoul, South Korea.
Synk: Hyper Line was the first worldwide concert tour by South Korean girl group Aespa, in support of their extended plays Savage (2021), Girls (2022), and My World (2023). The tour began on February 25, 2023, in Seoul, South Korea and concluded on September 30, 2023, in Paris, France.
Songs recorded by Aespa; Title Year Lyricist Composer Arranger Album Ref. "Aenergy" 2021 Yoo Young-jin: Kill Dave Pat Morrissey Jess Corazza Yoo Young-jin Kill Dave Pat Morrissey Yoo Young-jin Savage [1] "Armageddon" † 2024 Bang Hye-hyun (Jam Factory) Ejae Sumin Waker (153/Joombas) No Identity No Identity Armageddon [2] "Bahama" Kenzie ...
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Abbie Aitken writing for Clash called Drama as "a welcomed expansion to the Aespa universe [by] present[ing] the vocal prowess of [Aespa] and highlights their versatile musicality". She concluded that the "narrative got slightly muddled [by] the overall energy, especially from [the lead single], [making the listener] felt rousing [while] eager ...