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Electronic literature or digital literature is a genre of literature where digital capabilities such as interactivity, multimodality or algorithmic text generation are used aesthetically. [1] Works of electronic literature are usually intended to be read on digital devices, such as computers , tablets , and mobile phones .
Digital Literature in Research and Teaching: A Handbook. Bielefeld: Transcript, 2010. Giovanna Di Rosario. 2011. OLE Officina di Letteratura Elettronica - Lavori del Convegno, Atelier Multimediale edizioni, Napoli; Markku Eskelinen. 2012. Cybertext Poetics: The Critical Landscape of New Media Literary Theory. [28] Hartmut Koenitz et al. 2015.
The Journal of Literary Theory is a double-blind peer-reviewed academic journal published by Walter de Gruyter since 2007. The journal is dedicated to research in literary theory. It takes an interdisciplinary approach and includes a broad variety of theories and methods. Publication languages are English and German.
The term "distant reading" is generally attributed to Franco Moretti and his 2000 article, Conjectures on World Literature. [1] In the article, Moretti proposed a mode of reading which included works outside of established literary canons, which he variously termed "the great unread" [2] and, elsewhere, "the Slaughterhouse of Literature". [3]
Hypertext fiction is a genre of electronic literature characterized by the use of hypertext links that provide a new context for non-linearity in literature and reader interaction. The reader typically chooses links to move from one node of text to the next, and in this fashion arranges a story from a deeper pool of potential stories.
This format has been used for critical apparatuses of Shakespeare and many other authors. In variorum editions, the apparatus is often placed at the bottom of the page. Sometimes a three-part format is employed, with the main text at the top of the page, textual variants in the middle, and the editor's commentary at the bottom.
Electronic Literature: New Horizons for the Literary, (South Bend: University of Notre Dame Press, 2008. ISBN 9780268030858) [34] My Mother Was a Computer: Digital Subjects and Literary Texts, (Chicago: The University of Chicago Press, 2005. ISBN 9780226321479) [35] Nanoculture: Implications of the New Technoscience (ed.), 2004 [36]
According to Ulmer, electracy "is to digital media what literacy is to print". [1] It encompasses the broader cultural, institutional, pedagogical, and ideological implications inherent in the major societal transition from print to electronic media. Electracy is a portmanteau of "electricity" and Jacques Derrida's term "trace". [2]