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This included Netotiliztli, which had symbolic, spiritual choreography. Netotiliztli, which loosely translates to "expressed by dance," was a communicative dance of worship and rejoice practiced by the Mexica. [6] It was performed by dancers, who could be any member of society, as all members of Nahua society were educated in song and dance.
The Era of Manifestations was a period from 1837 to the mid-1850s when Shakers came under a spiritual revival marked by visions and ecstatic experiences among the followers. They expressed their visions in song, dance and drawings.
The Balinese Sacred Dance Sanghyang Dedari involves girls being possessed by hyang, Bali, Indonesia. The theologian W. O. E. Oesterley proposed in 1923 that sacred dance had several purposes, the most important being to honour supernatural powers; the other purposes were to "show off" before the powers; to unite the dancer with a supernatural power, as in the dances for the Greek goddesses ...
The Portrait of the Lord Jesus Christ. Georgiana Houghton started creating her spirit images first by drawing and eventually started experimenting with watercolors. [9] [2] Her paintings were produced by an automatic process, which she described as occurring under the direction of spirits. [2]
Dances and dancing of this kind is seen as opportunity to develop participants' spiritual awareness, hand-eye-body coordination, and competency in harmonizing with others through dance. Many dances are choreographed with movements, steps, and gestures encouraging dancers to explore for deeper mystical meanings of the dance. [6]
Spiritualist art or spirit art or mediumistic art or psychic painting is a form of art, mainly painting, influenced by spiritualism. Spiritualism influenced art, having an influence on artistic consciousness, with spiritual art having a huge impact on what became modernism and therefore art today.
Gelede mask from the Yoruba people of Nigeria. Held at the Birmingham Museum of Art Gelede Body Mask Gelede mask, Afro-Brazilian Museum, São Paulo. The Gẹlẹdẹ spectacle of the Yoruba is a public display by colorful masks which combines art and ritual dance to amuse, educate and inspire worship. [1]
This is a group dance, where dancers form a circle, move in the same direction while making music and dancing to the rhythm. [52] Women dance too as groups, such as in the Manipuri dance called Mandilla cholom, and these usually go with devotional songs and playing colorful tassels-string tied cymbals where one side represents Krishna and the ...