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Legendary creatures from Europe, supernatural animal or paranormal entities, generally hybrids, sometimes part human (such as sirens), whose existence has not or cannot be proven. They are described in folklore (including myths and legends), but also may be featured in historical accounts before modernity
Many scientists have criticized the plausibility of cryptids due to lack of physical evidence, [7] likely misidentifications [8] and misinterpretation of stories from folklore. [9] While biologists regularly identify new species following established scientific methodology, cryptozoologists focus on entities mentioned in the folklore record and ...
At the beginning of his career, Epiktetos painted a chalice krater made by the potter Andokides, but later he turned to smaller vessels, such as cups and plates.. Throughout his long career, he worked for a variety of potters, including Andokides, Hischylos and the Nikosthenes-Pamphaio
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The National Museum in Oslo bought Arbo's painting the same year. [10] By 1872, the depiction of Norse myths was largely out of fashion among art critics, who had more enthusiasm for Realism. In his review from the Nordic Exhibition, the critic Julius Lange dismissed Arbo's and Winge's mythological works as "ghosts and bogeymen". [4]
Giuseppe Castiglione, S.J. (simplified Chinese: 郞世宁; traditional Chinese: 郞世寧; pinyin: Láng Shìníng; 19 July 1688 – 17 July 1766), was an Italian Jesuit brother and missionary in China, where he served as an artist at the imperial court of three Qing emperors – the Kangxi, Yongzheng and Qianlong emperors.
Shoulder-clasps from Sutton Hoo, early 7th century 11th century walrus ivory cross reliquary (Victoria & Albert Museum). Anglo-Saxon art covers art produced within the Anglo-Saxon period of English history, beginning with the Migration period style that the Anglo-Saxons brought with them from the continent in the 5th century, and ending in 1066 with the Norman Conquest of England, whose ...
Wanderer above the Sea of Fog [a] is a painting by German Romanticist artist Caspar David Friedrich made in 1818. [2] It depicts a man standing upon a rocky precipice with his back to the viewer; he is gazing out on a landscape covered in a thick sea of fog through which other ridges, trees, and mountains pierce, which stretches out into the distance indefinitely.