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"The Three Kings", [1] or "Three Kings From Persian Lands Afar", is a Christmas carol by the German composer Peter Cornelius. He set "Die Könige" for a vocal soloist, accompanied by Philip Nicolai's hymn " Wie schön leuchtet der Morgenstern " ("How Brightly Shines the Morning Star"), which he erroneously thought was an Epiphany hymn.
Weihnachtslieder (Christmas Songs), Op. 8, is a song cycle of six lieder related to Christmas by Peter Cornelius, who set his own poems for voice and piano between 1856 and 1870. [ 1 ] [ 2 ] The full title is: Weihnachtslieder : ein Cyklus für eine Singstimme mit Pianofortebegleitung : Op. 8 / Text und Musik von Peter Cornelius .
In Britain to this day, Cornelius's best-known work is "The Three Kings" ("Die Könige "), a song for solo voice and piano originally from his 1856 song cycle, Weihnachtslieder. The song's melody line is accompanied by the chorale tune of " Wie schön leuchtet der Morgenstern " ("How brightly shines the morning star"), written by Philipp ...
His arrangement of Three Kings by Peter Cornelius for solo voice and choir, published posthumously in 1957, also achieved great popularity as a choral work for Epiphany. [15] It was included in the first volume of the popular 1961 collection compiled by David Willcocks and Reginald Jacques , Carols for Choirs .
Source [2]. John Henry Hopkins Jr. organized the carol in such a way that three male voices would each sing a solo verse in order to correspond with the three kings. [3] The first and last verses of the carol are sung together by all three as "verses of praise", while the intermediate verses are sung individually with each king describing the gift he was bringing. [4]
The March of the Kings or The March of the Wise Men (French: La Marche des rois or La marche des Rois mages; Provençal: La Marcha dei reis) is a popular Christmas carol of provençal origin celebrating the Epiphany and the Wise Men. Recognition of the theme spread outside Provence when Georges Bizet used it in his incidental music for Arlésienne.
For the album's tour, Cornelius and his band created music videos for each song, which played behind them. In The Daily Telegraph, Richard Wolfson said of the overall effect: "A Cornelius show is a blur of precision-perfect stops and starts, visual gags, unusual camera angles and sudden visceral leaps into new musical and visual styles."
Cornelius planned the work as a one-act comedy, but on the advice of Franz Liszt expanded it to two. Franz Liszt later arranged the second overture for orchestra (S.352). Unlike most German comic operas of the period, which have spoken dialogue, Der Barbier von Bagdad is through compo