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The only primary sources for Atlantis are Plato's dialogues Timaeus and Critias; all other mentions of the island are based on them. The dialogues claim to quote Solon, who visited Egypt between 590 and 580 BC; they state that he translated Egyptian records of Atlantis. [21] Plato introduced Atlantis in Timaeus, written in 360 BC:
Timaeus; Unlike the other speakers of the Critias, it is unclear whether Timaeus is a historical figure or not.While some classicists regard him as definitively historical, [4] others guess that "Plato's picture of him has probably borrowed traits from various quarters". [5]
Hypothesized locations of Atlantis. It has been thought that when Plato wrote of the Sea of Atlantis, he may have been speaking of the area now called the Atlantic Ocean. The ocean's name, derived from Greek mythology, means the "Sea of Atlas". Plato remarked that, in describing the origins of Atlantis, this area was allotted to Poseidon.
Sonchis of Saïs or the Saïte (Ancient Greek: Σῶγχις ὁ Σαΐτης, Sō̂nkhis o Saḯtēs; fl. 594 BC) was an Egyptian priest, who is mentioned in Greek writings for relating the account of Atlantis. His status as a historical figure is a matter of debate.
Critias proceeds to tell the story of Solon's journey to Egypt where he hears the story of Atlantis, and how Athens used to be an ideal state that subsequently waged war against Atlantis (25a). Critias believes that he is getting ahead of himself, and mentions that Timaeus will tell part of the account from the origin of the universe to man.
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The scroll, which documents the history of Greek philosophy, states that Plato was sold into slavery on the island of Aegina around 400 B.C. Previously, it was believed he had become enslaved in ...
Plato's most self-critical dialogue is the Parmenides, which features Parmenides and his student Zeno, which criticizes Plato's own metaphysical theories. Plato's Sophist dialogue includes an Eleatic stranger. These ideas about change and permanence, or becoming and Being, influenced Plato in formulating his theory of Forms. [54]