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Kandinsky was aware of recent scientific developments and the advances of modern artists who had contributed to radically new ways of seeing and experiencing the world. Composition IV and later paintings are primarily concerned with evoking a spiritual resonance in viewer and artist.
[111] Rose-Carol Washton Long wrote that Theosophy convinced Kandinsky that "hidden imagery could be a powerful method" of conveying the spiritual ideas. [112] In his lexicon, Leadbeater's concept of vibration was fixed for life. [113] He used it in his "most famous image" of creativity: Colour is a means of exercising direct influence upon the ...
Gabriele Münter by Kandinsky, 1903. See also her portrait of him, 1906. [1] This is an incomplete list of paintings by the Russian artist Wassily Kandinsky (1866–1944). During his life, Kandinsky was associated with the art movements of Der Blaue Reiter, Expressionism and Abstract painting. Kandinsky is generally credited as the pioneer of ...
The statue fragment known as the Younger Memnon in the British Museum. Shelley began writing the poem "Ozymandias" in 1817, upon anticipation of the arrival in Britain of the Younger Memnon, a head-and-torso fragment of a statue of Ramesses II acquired by Italian archeologist Giovanni Battista Belzoni from the Ramesseum, the mortuary temple of Ramesses II at Thebes. [5]
Orphism represented a new art-form, much as music was to literature. These analogies could be seen in the titles of paintings such as Kupka's Amorpha: Fugue in Two Colors (1912); Francis Picabia's Dance at the Source (1912) and Wassily Kandinsky's Über das Geistige in der Kunst (1912). Kandinsky described the relationships between sound and color.
Klänge, Wassily Kandinsky, 1912. Klänge (German; Sounds) is a book by the Russian expressionist artist Wassily Kandinsky.Published in an edition of 345 in Munich in late 1912, [1] [2] the work is a famous early example of an artist's book, containing both poems and woodcuts by the artist, forming two parallel strands, each involving a loose progression. [3]
Kandinsky's preliminary study was his first abstract watercolor. Untitled (Study for Composition VII, Première abstraction), painted in 1913, [2] is one of the first artworks to emerge from the representational tradition of Western European painting entirely, shedding references to well known forms, conventions of material representation and all narrative allusions.
The Russian avant-garde was a large, influential wave of avant-garde modern art that flourished in the Russian Empire and the Soviet Union, approximately from 1890 to 1930—although some have placed its beginning as early as 1850 and its end as late as 1960.