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In modern interpretations of traditional Japanese arts and culture, ma is an artistic interpretation of an empty space, often holding as much importance as the rest of an artwork and focusing the viewer on the intention of negative space in an art piece. The concept of space as a positive entity is opposed to the absence of such a principle in ...
A tokonoma with a kakemono and ikebana flower arrangement Detailed view of a tokonoma and aspects of a Japanese room View from the side of a tokonoma Tokonoma at Tenryū-ji. A tokonoma (床の間), [1] or simply toko (床), [2] [3] is a recessed space in a Japanese-style reception room, in which items for artistic appreciation are displayed.
A pillar of liminal spaces is the absence of living things, particularly other people, with the implication that the viewer is alone; this lack of presence is "liminal in a temporal way, that occupy a space between use and disuse, past and present, transitioning from one identity to another." [3]
Butoh (舞踏, Butō) is a form of Japanese dance theatre that encompasses a diverse range of activities, techniques and motivations for dance, performance, or movement. Following World War II , butoh arose in 1959 through collaborations between its two key founders, Tatsumi Hijikata and Kazuo Ohno .
Japanese traditional dance describes a number of Japanese dance styles with a long history and prescribed method of performance. Some of the oldest forms of traditional Japanese dance may be among those transmitted through the kagura tradition, or folk dances relating to food producing activities such as planting rice ( dengaku ) and fishing ...
Bugaku (舞楽, court dance and music [1]) is a Japanese traditional dance that has been performed to select elites, mostly in the Japanese imperial court, for over twelve hundred years. In this way, it has been known only to the nobility, although after World War II , the dance was opened to the public and has even toured around the world in 1959.
' Japanese dance ') refers to the classical Japanese performing art of dance. Nihon-buyō developed from earlier dance traditions such as mai and odori , and was further developed during the early Edo period (1603–1867), through the medium of kabuki dances, which often incorporated elements from the older dance genres.
Oku (Japanese: 奥) is a spatial theory or concept that pertains to the idea of "inwardness". It is unique to Japan and is an integral part of the urban space formation in the country. [1] The term entails several abstract connotations such as profundity and can be used to describe not only physical but also psychological depth. [1]