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The Bhagavad Gita (/ ˈ b ʌ ɡ ə v ə d ˈ ɡ iː t ɑː /; [1] Sanskrit: भगवद्गीता, IPA: [ˌbʱɐɡɐʋɐd ˈɡiːtɑː], romanized: bhagavad-gītā, lit. 'God's song'), [a] often referred to as the Gita (IAST: gītā), is a Hindu scripture, dated to the second or first century BCE, [7] which forms part of the epic Mahabharata.
It is said that Shadaj is the basic svara from which all the other 6 svaras are produced. When we break the word Shadaj then we get, Shad- And -Ja. Shad is 6 and ja is 'giving birth' in Indian languages. So basically the translation is : षड् - 6, ज -जन्म . Therefore, it collectively means giving birth to the other 6 notes of the ...
Shloka or śloka (Sanskrit: श्लोक śloka, from the root श्रु śru, lit. ' hear ' [1] [2]) in a broader sense, according to Monier-Williams's dictionary, is "any verse or stanza; a proverb, saying"; [3] but in particular it refers to the 32-syllable verse, derived from the Vedic anuṣṭubh metre, used in the Bhagavad Gita and many other works of classical Sanskrit literature.
Sanskrit prosody or Chandas refers to one of the six Vedangas, or limbs of Vedic studies. [1] It is the study of poetic metres and verse in Sanskrit. [1] This field of study was central to the composition of the Vedas, the scriptural canons of Hinduism; in fact, so central that some later Hindu and Buddhist texts refer to the Vedas as Chandas.
[4] [5] Along with raga which forms the fabric of a melodic structure, the tala forms the life cycle and thereby constitutes one of the two foundational elements of Indian music. [6] Tala is an ancient music concept traceable to Vedic era texts of Hinduism, such as the Samaveda and methods for singing the Vedic hymns.
The Shanti Mantras, or Pancha Shanti mantras, are Hindu prayers for peace found in the Upanishads.Generally, they are recited at the beginning and end of religious rituals and discourses.
Strophic form – also called verse-repeating form, chorus form, AAA song form, or one-part song form – is a song structure in which all verses or stanzas of the text are sung to the same music. [1] Contrasting song forms include through-composed, with new music written for every stanza, [1] and ternary form, with a contrasting central section.
Doha is a lyrical verse-format which was extensively used by Indian poets and bards of North India probably since the beginning of the 6th century AD. Dohas of Kabir, Tulsidas, Raskhan, Rahim and the dohas of Nanak called Sakhis are famous. Satasai of Hindi poet, Bihārī, contains many dohas. Dohas are written even now.