Search results
Results from the WOW.Com Content Network
The Stabat Mater is a 13th-century Christian hymn to the Virgin Mary that portrays her suffering as mother during the crucifixion of her son Jesus Christ. Its author may be either the Franciscan friar Jacopone da Todi or Pope Innocent III. [1] [2] [3] The title comes from its first line, "Stabat Mater dolorosa", which means "the sorrowful ...
Related to this devotion is the Stabat Mater, a hymn composed in honor of the sufferings of Mary during the Crucifixion, generally attributed to Jacopone da Todi (1230-1306). [4] Alphonsus Liguori dedicated a whole chapter of his book The Glories of Mary (1750) to the seven dolors of Mary, and wrote reflections on each of the seven dolors. [11]
Salve Regina, mater misericordiae (6) Sancte Paule Apostole (7) Spiritus Sanctus replevit (6) Stabat Mater dolorosa (6) Sub tuum praesidium (6) Surge illuminare Hierusalem (3). Et ambulabant gentes in lumine (6) Surrexit pastor bonus (6) Tria sunt munera pretiosa (7) Veni Sancte Spiritus (3) Veni Sancte Spiritus (7) Victimae Paschali laudes (7)
Stabat Mater is a motet for double chorus by Giovanni Pierluigi da Palestrina. It was composed in the Late Renaissance period sometime during the late 16th century. It is centered on the 20 verses of text that constitute the hymn of the same name. [1]
'Stabat Mater speciosa' is a long, nearly a capella movement for chorus and some organ passages. The Latin hymn which is sung is a 'sister-hymn' to 'Stabat Mater dolorosa', and is to be sung to a rather similar melody, yet is in brighter, calmer mood and the words are different, describing Mary watching little Jesus in his cradle and at play.
Stabat Mater speciosa" ("The beautiful mother stood" [1] [2]) is a Catholic hymn to Mary about the Nativity of Jesus. It first appeared in a 1495 edition of the Italian poems of Jacopone da Todi , along with " Stabat Mater dolorosa ", but "Stabat Mater speciosa" was almost forgotten until it was re-transcribed in 1852 in the Poètes ...
Joseph Haydn's Stabat Mater, Hob. XXa:1, is a setting of the Stabat Mater sequence, written in 1767 for soloists, mixed choir and an orchestra of oboe , strings and continuo. The first performance is believed to have taken place on 17 March 1767 at the Esterhazy court .
Some of the most recognized hymns to Mary were composed by the followers of Francis of Assisi. Towards the end of the 13th century, the Franciscan Giacopone dei Todi, the author of Stabat Mater dolorosa, composed Stabat Mater Speciosa about the joy of the Virgin Mary.