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The Stabat Mater is a 13th-century Christian hymn to the Virgin Mary that portrays her suffering as mother during the crucifixion of her son Jesus Christ. Its author may be either the Franciscan friar Jacopone da Todi or Pope Innocent III .
"Stabat Mater speciosa" ("The beautiful mother stood" [1] [2]) is a Catholic hymn to Mary about the Nativity of Jesus.. It first appeared in a 1495 edition of the Italian poems of Jacopone da Todi, along with "Stabat Mater dolorosa", but "Stabat Mater speciosa" was almost forgotten until it was re-transcribed in 1852 in the Poètes Franciscains en Italie au Treizième siècle in Paris. [1]
The Passion is almost entirely atonal, except for two major triads which occur once at the end of the Stabat Mater, a cappella, and once, an E major triad, at the very end of the work with full choruses, orchestra and organ. It makes very frequent use of tone clusters, often played fortissimo by brass or organ.
Stabat Mater is a motet for double chorus by Giovanni Pierluigi da Palestrina. It was composed in the Late Renaissance period sometime during the late 16th century. It is centered on the 20 verses of text that constitute the hymn of the same name. [1]
Salve Regina, mater misericordiae (6) Sancte Paule Apostole (7) Spiritus Sanctus replevit (6) Stabat Mater dolorosa (6) Sub tuum praesidium (6) Surge illuminare Hierusalem (3). Et ambulabant gentes in lumine (6) Surrexit pastor bonus (6) Tria sunt munera pretiosa (7) Veni Sancte Spiritus (3) Veni Sancte Spiritus (7) Victimae Paschali laudes (7)
Alma Redemptoris Mater; Angels We Have Heard on High; Anima Christi (Soul of my Saviour) Asperges me; As a Deer; As I Kneel Before You (also known as Maria Parkinson's Ave Maria) At That First Eucharist; At the Lamb's High Feast We Sing; At the Name of Jesus; Attende Domine; Aurora lucis rutilat; Ave Maria; Ave maris stella; Ave Sanctissima [2 ...
Joseph Haydn's Stabat Mater, Hob. XXa:1, is a setting of the Stabat Mater sequence, written in 1767 for soloists, mixed choir and an orchestra of oboe , strings and continuo. The first performance is believed to have taken place on 17 March 1767 at the Esterhazy court .
Francis Poulenc composed Litanies à la Vierge Noire and a Stabat Mater in 1950. Arvo Pärt composed several works related to Mary, including a Magnificat in 1989 and a Salve Regina in 2001. The Franciscan Helmut Schlegel wrote in 2009 a hymn, "Glauben können wie du", addressing Mary and wanting to imitate her virtues faith, hope and love.