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The Stabat Mater is a 13th-century Christian hymn to the Virgin Mary that portrays her suffering as mother during the crucifixion of her son Jesus Christ. Its author may be either the Franciscan friar Jacopone da Todi or Pope Innocent III .
The list has hymns in Latin and English. A A Message Came to A Maiden Young [1] ... Stabat Mater; Sing Praise To Our Creator; Sing, sing, ye angel bands; Soul of My ...
The following are Christian hymns dedicated to the Blessed Virgin Mary. Subcategories. ... Stabat Mater; Stabat Mater speciosa; T. Theotokion; Titles of Mary, mother ...
Some of the most recognized hymns to Mary were composed by the followers of Francis of Assisi. Towards the end of the 13th century, the Franciscan Giacopone dei Todi, the author of Stabat Mater dolorosa, composed Stabat Mater Speciosa about the joy of the Virgin Mary.
"Stabat Mater speciosa" ("The beautiful mother stood" [1] [2]) is a Catholic hymn to Mary about the Nativity of Jesus.. It first appeared in a 1495 edition of the Italian poems of Jacopone da Todi, along with "Stabat Mater dolorosa", but "Stabat Mater speciosa" was almost forgotten until it was re-transcribed in 1852 in the Poètes Franciscains en Italie au Treizième siècle in Paris. [1]
This list only mentions works that were assigned an opus number by Rheinberger himself. Sacred vocal works Cantatas, including the Christmas cantata Der Stern von Bethlehem (The Star of Bethlehem), Op. 164; 14 masses, including the 1881 Mass in A major, Op. 126, 3 requiem settings, 2 settings of the Stabat Mater; Motets, hymns, lieder
Salve Regina, mater misericordiae (6) Sancte Paule Apostole (7) Spiritus Sanctus replevit (6) Stabat Mater dolorosa (6) Sub tuum praesidium (6) Surge illuminare Hierusalem (3). Et ambulabant gentes in lumine (6) Surrexit pastor bonus (6) Tria sunt munera pretiosa (7) Veni Sancte Spiritus (3) Veni Sancte Spiritus (7) Victimae Paschali laudes (7)
Stabat Mater is a motet for double chorus by Giovanni Pierluigi da Palestrina. It was composed in the Late Renaissance period sometime during the late 16th century. It is centered on the 20 verses of text that constitute the hymn of the same name. [1]