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The Pear of Anguish. Torture museum in Lubusz Land Museum in Zielona Góra, Poland. The pear of anguish, also known as choke pear or mouth pear, is a device of disputed use invented in the early modern period. The mechanism consists of a pear-shaped metal body divided into spoon-like segments that can be spread apart with a spring or by turning ...
Possibly because of this idiom, the names "choke pear" and "pear of anguish" have been used for a gagging device allegedly used in Europe, sometime before the 17th century. [6] Dalechamps has identified this with the species of pear that Pliny the Elder listed as "ampullaceum" in his Naturalis Historia. [7]
This is also known as the 'choke-pear', though it is far less marvellous and dangerous than the pear of Palioly." Though there is little or no evidence of its being used by bandits, there are a number of examples of ornate and elaborate, pear-shaped devices with three or four leaves or lobes, driven by turning a key that rotates the central ...
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Anguish (French: Angoisses or Angoisse) is an 1878 oil painting by August Friedrich Schenck. It depicts an anguished mother sheep standing over the dead body of her lamb, surrounded by a murder of crows. Perhaps Schenck's most famous painting, it is held by National Gallery of Victoria, in Melbourne, Australia since 1880. The painting was an ...
Pear of anguish, a device found in some museums Topics referred to by the same term This disambiguation page lists articles associated with the title Choke pear .
Words for these concepts are sometimes cited as antonyms to schadenfreude, as each is the opposite in some way. There is no common English term for pleasure at another's happiness (i.e.; vicarious joy), though terms like 'celebrate', 'cheer', 'congratulate', 'applaud', 'rejoice' or 'kudos' often describe a shared or reciprocal form of pleasure.
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