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Although the word for a single poetic line is verse, that term now tends to be used to signify poetic form more generally. [1] A line break is the termination of the line of a poem and the beginning of a new line. The process of arranging words using lines and line breaks is known as lineation, and is one of the defining features of poetry. [2]
Acrostic: a poem in which the first letter of each line spells out a word, name, or phrase when read vertically. Example: “A Boat beneath a Sunny Sky” by Lewis Carroll. Concrete (aka pattern): a written poem or verse whose lines are arranged as a shape/visual image, usually of the topic. Slam; Sound; Spoken-word; Verbless poetry: a poem ...
Stichos (pl. stichoi) is the Greek word for a 'line' of prose or poetry and the suffix '-metry' is derived from the Greek word for measurement. The length of each line in the Iliad and Odyssey , which may have been among the first long, Greek texts written down, became the standard unit for ancient stichometry.
In poetry, it has a consistent meter with 10 syllables per line . Unstressed syllables are followed by stressed syllables, five of which are stressed but do not rhyme. Trochee–A trochee is a two-syllable metrical pattern in poetry in which a stressed syllable is followed by an unstressed syllable.
A caesura is also described by its position in a line of poetry: a caesura close to the beginning of a line is called an initial caesura, one in the middle of a line is medial, and one near the end of a line is terminal. Initial and terminal caesurae are rare in formal, Romance, and Neoclassical verse, which prefer medial caesurae.
A verse is formally a single metrical line in a poetic composition. [1] However, verse has come to represent any grouping of lines in a poetic composition, with groupings traditionally having been referred to as stanzas. [2] Verse in the uncountable sense refers to poetry in contrast to prose. [3]
In the 1920s one-line poetry was rediscovered in the US by Yvor Winters, Edwin Ford Piper, Charles Reznikoff and others. Later, John Ashbery in '37 Haiku' (1984) and Allen Ginsberg in 'American Sentences' (1987-1995) demonstrated haiku in the monostich form. Ian McBryde's 2005 book Slivers consists entirely of one-line poems. [13]
For the other variations of shi poetry, generally either a four line (quatrain, or jueju) or else an eight-line poem is normal; either way with the even numbered lines rhyming. The line length is scanned by an according number of characters (according to the convention that one character equals one syllable), and are predominantly either five ...