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Champagner-Polka, Op. 211, subtitled "A musical joke", [1] is a polka by Johann Strauss II, written in 1858 for his successful tour of Russia where he performed in the summer concert season at Pavlovsk, Saint Petersburg, where it was played for the first time on 12 August 1858.
The original literary source for Die Fledermaus was Das Gefängnis (The Prison), a farce by German playwright Julius Roderich Benedix [1] that premiered in Berlin in 1851. On 10 September 1872, a three-act French vaudeville play by Henri Meilhac and Ludovic Halévy, Le Réveillon, loosely based on the Benedix farce, opened at the Théâtre du Palais-Royal. [2]
"Klänge der Heimat" ("Sounds of my homeland"), also called "Csárdás", is an aria for soprano from act 2 of the operetta Die Fledermaus by Johann Strauss II.It appears in many anthologies of music for soprano singers, and is frequently performed in recitals.
The lyrics reference three of Strauss's best known compositions, namely An der schönen blauen Donau ("Let the Danube flow along"), Die Fledermaus ("and the Fledermaus") and Wein, Weib und Gesang ("Keep the wine and give me song"). [1]
Csárdás Csárdás rhythm. [1]Csárdás (/ ˈ tʃ ɑːr d æ ʃ /, US: /-d ɑː ʃ /; Hungarian: [ˈt͡ʃaːrdaːʃ]), often seen as Czárdás, is a traditional Hungarian folk dance, the name derived from csárda (old Hungarian term for roadside tavern and restaurant).
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The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.
This is a discography of Die Fledermaus, an operetta by Johann Strauss II, which was first performed on 5 April 1874 at the Theater an der Wien in Vienna. Recordings [ edit ]
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