Search results
Results from the WOW.Com Content Network
In music, heterophony is a type of texture characterized by the simultaneous variation of a single melodic line. Such a texture can be regarded as a kind of complex monophony in which there is only one basic melody, but realized at the same time in multiple voices, each of which plays the melody differently, either in a different rhythm or tempo, or with various embellishments and elaborations ...
The verses (even-numbered sections) are more linear, and feature passages of varying length that can be cued by the conductor so as to sound all at once or with staggered entrances, with the result being a heterophonic texture. [19] (Boulez defined heterophony as "the superposition on a primary structure of a modified aspect of the same ...
Organum [a] (/ ˈ ɔːr ɡ ə n əm /) is, in general, a plainchant melody with at least one added voice to enhance the harmony, developed in the Middle Ages.Depending on the mode and form of the chant, a supporting bass line (or bourdon) may be sung on the same text, the melody may be followed in parallel motion (parallel organum), or a combination of both of these techniques may be employed.
Lining out first appears in 17th-century Britain when literacy rates were low and books were expensive. [1] [2] Precenting the line was characterised by a slow, drawn-out heterophonic and often profusely ornamented melody, while a clerk or precentor (song leader) chanted the text line by line before it was sung by the congregation.
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).
While he used imitation, a relatively new musical technique, and heterophonic texture, one of the rarest textures in European music, he also still used parallel perfect intervals. Voice crossings are common, when he wrote for more than one voice (most of his music is monophonic ).
These are known as heterophonic names or heterophones (unlike heterographs, which are written differently but pronounced the same). Excluded are the numerous spellings which fail to make the pronunciation obvious without actually being at odds with convention: for example, the pronunciation / s k ə ˈ n ɛ k t ə d i / [ 1 ] [ 2 ] of ...
Ordo Virtutum (Latin for Order of the Virtues) is an allegorical morality play, or sacred music drama, by Hildegard of Bingen, composed around 1151, during the construction and relocation of her Abbey at Rupertsberg.