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Here's how to read an audiogram and a doctor's explanation of the most common results including sloping hearing loss, notched hearing loss, cookie-bite hearing loss and reverse-sloping hearing loss.
An audiogram is a graph that shows the audible threshold for standardized frequencies as measured by an audiometer. The Y axis represents intensity measured in decibels (dB) and the X axis represents frequency measured in hertz (Hz). [ 1 ]
The results of pure-tone audiometry are however a very good indicator of hearing impairment. Hearing disability is defined by the WHO as a reduction in the ability to hear sounds in both quiet and noisy environments (compared to people with normal hearing), which is caused by a hearing impairment. [ 17 ]
The result of the test is an audiogram diagram which plots a person's hearing sensitivity at the tested frequencies. On an audiogram an "x" plot represents the softest threshold heard at each specific frequency in the left ear, and an "o" plot represents the softest threshold heard at each specific frequency in the right ear.
The result of most audiometry is an audiogram plotting some measured dimension of hearing, either graphically or tabularly. The most common type of audiogram is the result of a pure tone audiometry hearing test which plots frequency versus amplitude sensitivity thresholds for each ear along with bone conduction thresholds at 8 standard ...
Minimum audibility curve is a standardized graph of the threshold of hearing frequency for an average human, and is used as the reference level when measuring hearing loss with an audiometer as shown on an audiogram.
The speech banana is a banana-shaped region where the sounds of human languages appear on an audiogram. (An audiogram is a graphical representation of someone's ability to hear over a range of frequencies and loudness levels. Hearing on an audiogram is displayed as frequency in Hertz on the x-axis and loudness in decibels on the y-axis.)
The first research on the topic of how the ear hears different frequencies at different levels was conducted by Fletcher and Munson in 1933. Until recently, it was common to see the term Fletcher–Munson used to refer to equal-loudness contours generally, even though a re-determination was carried out by Robinson and Dadson in 1956, which became the basis for an ISO 226 standard.
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