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Gold coin of Kanishka I with a representation of the Buddha and Bactrian legend in Greek script: ΒΟΔΔΟ "Boddo", for "Buddha", c. 127–150 CE. The chronology of Kushan art is quite critical to the art history of the region. Fortunately, several statues are dated and have inscriptions referring to the various rulers of the Kushan Empire. [64]
Skanda and Visakha Gold coin of Kanishka I, with a depiction of the Buddha, with the legend "Boddo" in Greek script;Ahin Posh. The Kushan religious pantheon is extremely varied, as revealed by their coins and their seals, on which more than 30 different gods appear, belonging to the Hellenistic, the Iranian, and to a lesser extent the Indian world.
Detail of the Buddha, surrounded by cherubs, with devotee or bodhisattava. The Kanishka casket or Kanishka reliquary, is a Buddhist reliquary made in gilded copper, and dated to the first year of the reign of the Kushan emperor Kanishka, in 127 CE. It is now in the Peshawar Museum in the historic city of Peshawar, Pakistan.
All these coins were minted in gold under Kanishka I, and are in two different denominations: a dinar of about 8 gm, roughly similar to a Roman aureus, and a quarter dinar of about 2 gm. (about the size of an obol). The Buddha is represented wearing the monastic robe, the antaravasaka, the uttarasanga, and the overcoat sanghati.
The coinage of Vasudeva consisted in gold dinars and quarter dinars, as well as copper coins. Vasudeva almost entirely removed the pantheon of deities displayed in the coinage of Kanishka and Huvishka. Apart from a few coins with the effigies of Mao and Nana, all of Vasudeva's coins feature Oesho on the reverse, who is generally identified as ...
All these coins were minted in gold under Kanishka I, and are in two different denominations: a dinar of about 8 gm, roughly similar to a Roman aureus, and a quarter dinar of about 2 gm. (about the size of an obol). The Buddha is represented wearing the monastic robe, the antaravasaka, the uttarasanga, and the overcoat sanghati. In general, the ...
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