Search results
Results from the WOW.Com Content Network
While the Greek gods are immortal and unaffected by aging, the mortality of humans forces them to move through the stages of life, before reaching death. [2] The group of figures referred to as "heroes" (or " demigods "), unique to Greek religion and mythology, are (after the time of Homer ) individuals who have died but continue to exert power ...
Achlys / ˈ æ k l ɪ s / (Ancient Greek: Ἀχλύς "mist"), [1] in the Hesiodic Shield of Heracles, is one of the figures depicted on Heracles' shield, perhaps representing the personification of sorrow. In Homer, achlys is the mist which fogs or blinds mortal eyes (often in death). Her Roman counterpart Caligo was said to have been the ...
Clotho also used her life-giving powers in the myth of Tantalus, the man who had slain and prepared his son Pelops for a dinner party with the deities. When the deities had discovered what Tantalus had done, they put the remaining pieces of Pelops in a cauldron.
In Greek mythology, Io (/ ˈ aɪ. oʊ /; Ancient Greek: Ἰώ) was one of the mortal lovers of Zeus. An Argive princess, she was an ancestor of many kings and heroes, such as Perseus, Cadmus, Heracles, Minos, Lynceus, Cepheus, and Danaus. The astronomer Simon Marius named a moon of Jupiter after Io in 1614.
Lachesis (/ ˈ l æ k ɪ s ɪ s / LAK-iss-iss; Ancient Greek: Λάχεσις, romanized: Lákhesis, lit. 'disposer of lots'; from λαγχάνω lanchánō, 'to obtain by lot, by fate, or by the will of the gods'), in ancient Greek religion, was the middle of the Three Fates, or Moirai; the others were her sisters, Clotho and Atropos.
Wanting to fit in and express themselves, Stheno, Euryale, and Medusa move to the human realm, encountering other Greek mythology characters before settling in Athens. Stheno takes kithara lessons; Euryale befriends and secretly observes prostitutes and their clients in her wish to become Poseidon's lover; Medusa becomes a priestess of Athena.
In Ancient Greek mythology, Olethros / ˈ ɒ l ɪ ˌ θ r ɒ s / (Greek: ὄλεθρος) was the Greek concept or personification [citation needed] of "havoc" or "ruin". Olethros translates roughly in ancient Greek to "destruction", but often with a positive connotation, as in the destruction required for and preceding renewal.
The entire work is framed in terms of explaining art, its symbols and meaning, to a young audience. The author of the work in the introduction states that the ten-year-old son of his host was the immediate cause of the composition of this work and that the author will structure the book and each of its chapters as if this boy is being addressed.