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The "we" of the poem describes drinking the black milk of dawn at evening, noon, daybreak and night, and shovelling "a grave in the skies". They introduce a "he", who writes letters to Germany, plays with snakes, whistles orders to his dogs and to his Jews to dig a grave in the earth (the words "Rüden" (male dogs) and "Juden" (Jews) are assonant in German), [9] and commands "us" to play music ...
The Lordly Hudson: Collected Poems is divided into seven sections: Short Poems, Longer Poems, Stories, Sonnets, Ballades, Love Poems, and Sentences and Prayers. [33] The collection includes Goodman's poetry from 1940 to 1962, written in a traditional structure with less traditional content.
The editors note that the book is the "collected poems", not "complete poems" of Tolkien. Three volumes contain more than 1500 pages, and the editors decided not to include all of around hundred poems from better known The Hobbit and The Lord of the Rings, but only a selection.
The poem serves as an allegory about a king "in the olden time long ago" who is afraid of evil forces that threaten him and his palace, foreshadowing impending doom. As part of "The Fall of the House of Usher", Poe said, "I mean to imply a mind haunted by phantoms — a disordered brain" [1] referring to Roderick Usher.
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This is a list of English poems over 1000 lines. This list includes poems that are generally identified as part of the long poem genre, being considerable in length, and with that length enhancing the poems' meaning or thematic weight. This alphabetical list is incomplete, as the label of long poem is selectively and inconsistently applied in ...
Perrault's French fairy tales, for example, were collected more than a century before the Grimms' and provide a more complex view of womanhood. But as the most popular, and the most riffed-on, the Grimms' are worth analyzing, especially because today's women writers are directly confronting the stifling brand of femininity they proliferated.
The poem makes use of folk, mythological, religious, and classical references. Poe stated that he composed the poem in a logical and methodical manner, aiming to craft a piece that would resonate with both critical and popular audiences, as he elaborated in his follow-up essay in 1846, "The Philosophy of Composition".