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Authors create tone through the use of various other literary elements, such as diction or word choice; syntax, the grammatical arrangement of words in a text for effect; imagery, or vivid appeals to the senses; details, facts that are included or omitted; and figurative language, the comparison of seemingly unrelated things for sub-textual ...
Tone in an artistic context refers to the light and dark values used to render a realistic object, or to create an abstract composition. When using pastel , an artist may often use a colored paper support, using areas of pigment to define lights and darks, while leaving the bare support to show through as the mid-tone.
Owing to its origin in ancient Greece and Rome, English rhetorical theory frequently employs Greek and Latin words as terms of art. This page explains commonly used rhetorical terms in alphabetical order. The brief definitions here are intended to serve as a quick reference rather than an in-depth discussion. For more information, click the terms.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
The tone pattern of one line must be the inverse of the other. This generally means if one character is of the level tone, its corresponding character on the other line must be of an oblique tone. The last character of the first line should be of an oblique tone, which forces the last character of the second line to be of a level tone.
The jueju is more flexible in terms of required parallelism, although it may be present. The pailu requires parallelism for all couplets except for the first and last pair. The caesura , or a pause between certain phrases within any given line is a standard feature of regulated verse, with the main rule being for a major caesura preceding the ...
The other three tones were termed the level (or even) tone (平 píng), the rising (上 shǎng) tone, and the departing (or going) tone (去 qù). [2] The practice of setting up the entering tone as a separate class reflects the fact that the actual pitch contour of checked syllables was quite distinct from the pitch contour of any of the ...
Tone is the use of pitch in language to distinguish lexical or grammatical meaning—that is, to distinguish or to inflect words. [1] All oral languages use pitch to express emotional and other para-linguistic information and to convey emphasis, contrast and other such features in what is called intonation, but not all languages use tones to distinguish words or their inflections, analogously ...