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The "sci-fi" sounds in the beginning of the song were created using an ARP Odyssey synthesizer [7] and an Echoplex tape delay. [8] On the "2112 / Moving Pictures" episode of the documentary series Classic Albums, producer Terry Brown states the synth intro is composed of various parts played by Hugh Syme that were put together in a collage.
2112 was released to favourable reviews from music critics and quickly outsold the band's previous albums. Rush toured the album extensively in 1976 and 1977, which culminated in their debut concerts in Europe. 2112 remains the band's second-highest-selling album behind Moving Pictures with more than
"A Passage to Bangkok" is a song by Canadian rock band Rush, released in March 1976 by Anthem Records. The song appears on the band's fourth studio album 2112 (1976). [3] With the album's title track comprising the first half of the record, "A Passage to Bangkok" opens the second side of the album (on the original LP and audio cassette).
Alternate recordings of "2112" and "Something For Nothing" from the June 11–13 performances were released as part of the 2112: 40th Anniversary box set in 2016. According to the liner notes, All the World's a Stage marks the end of the "first chapter of Rush" and would begin a trend of Rush releasing a live album after every four studio ...
"2112: Oracle: The Dream" – 1:51 "2112: Soliloquy" – 2:10 "2112: Grand Finale" (Instrumental) – 2:37 "2112" was recorded on June 23, 1997, at the Great Woods Center for the Performing Arts in Mansfield, Massachusetts. Different Stages is the only Rush live album that contains a full performance of the entire "2112" suite.
"The Twilight Zone" is the third track on Rush's album 2112. It was the last track written and recorded for the album. It was the first single to be released from 2112.As with most Rush songs, the lyrics are written by Neil Peart, and the music by Geddy Lee and Alex Lifeson.
The song "Limelight" from the same album is an autobiographical account of Peart's reservations regarding his own popularity and the pressures associated with fame. From Permanent Waves onward, most of Peart's lyrics revolved around social, emotional, and humanitarian issues, usually from an objective standpoint and employing the use of ...
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